Scarcely had the fiery and high-souled Moor uttered his boast, than, from some unseen hand amidst the groves, a javelin whirred past him, and as the air it raised came sharp upon his cheek, half buried its quivering shaft in the trunk of a tree behind him.
“Fly, fly, and save thyself! O God, protect him!” cried Leila; and she vanished within the chamber.
The Moor did not wait the result of a deadlier aim; he turned; yet, in the instinct of his fierce nature, not from, but against, the foe; his drawn scimitar in his hand, the half-suppressed cry of wrath trembling on his lips, he sprang forward in the direction the javelin had sped. With eyes accustomed to the ambuscades of Moorish warfare, he searched eagerly, yet warily through the dark and sighing foliage. No sign of life met his gaze; and at length, grimly and reluctantly, he retraced his steps, and quitted the demesnes; but just as he had cleared the wall, a voice—low, but sharp and shrill—came from the gardens.
“Thou art spared,” it said, “but, haply, for a more miserable doom!”
CHAPTER IV. THE FATHER AND DAUGHTER.
The chamber into which Leila retreated bore out the character she had given of the interior of her home. The fashion of its ornament and decoration was foreign to that adopted by the Moors of Granada. It had a more massive and, if we may use the term, Egyptian gorgeousness. The walls were covered with the stuffs of the East, stiff with gold, embroidered upon ground of the deepest purple; strange characters, apparently in some foreign tongue, were wrought in the tesselated cornices and on the heavy ceiling, which was supported by square pillars, round which were twisted serpents of gold and enamel, with eyes to which enormous emeralds gave a green and lifelike glare: various scrolls and musical instruments lay scattered upon marble tables: and a solitary lamp of burnished silver cast a dim and subdued light around the chamber. The effect of the whole, though splendid, was gloomy, strange, and oppressive, and rather suited to the thick and cave-like architecture which of old protected the inhabitants of Thebes and Memphis from the rays of the African sun, than to the transparent heaven and light pavilions of the graceful orientals of Granada.
Leila stood within this chamber, pale and breathless, with her lips apart, her hands clasped, her very soul in her ears; nor was it possible to conceive a more perfect ideal of some delicate and brilliant Peri, captured in the palace of a hostile and gloomy Genius. Her form was of the lightest shape consistent with the roundness of womanly beauty; and there was something in it of that elastic and fawnlike grace which a sculptor seeks to embody in his dreams of a being more aerial than those of earth. Her luxuriant hair was dark indeed, but a purple and glossy hue redeemed it from that heaviness of shade too common in the tresses of the Asiatics; and her complexion, naturally pale but clear and lustrous, would have been deemed fair even in the north. Her features, slightly aquiline, were formed in the rarest mould of symmetry, and her full rich lips disclosed teeth that might have shamed the pearl. But the chief charm of that exquisite countenance was in an expression of softness and purity, and intellectual sentiment, that seldom accompanies that cast of loveliness, and was wholly foreign to the voluptuous and dreamy languor of Moorish maidens; Leila had been educated, and the statue had received a soul.
After a few minutes of intense suspense, she again stole to the lattice, gently unclosed it, and looked forth. Far, through an opening amidst the trees, she descried for a single moment the erect and stately figure of her lover, darkening the moonshine on the sward, as now, quitting his fruitless search, he turned his lingering gaze towards the lattice of his beloved: the thick and interlacing foliage quickly hid him from her eyes; but Leila had seen enough—she turned within, and said, as grateful tears trickled clown her cheeks, and she sank on her knees upon the piled cushions of the chamber: “God of my fathers! I bless Thee—he is safe!”
“And yet (she added, as a painful thought crossed her), how may I pray for him? we kneel not to the same Divinity; and I have been taught to loathe and shudder at his creed! Alas! how will this end? Fatal was the hour when he first beheld me in yonder gardens; more fatal still the hour in which he crossed the barrier, and told Leila that she was beloved by the hero whose arm was the shelter, whose name is the blessing, of Granada. Ah, me! Ah, me!”