“I will repeat what you say,” answered Guillot, sullenly, “Is this all?”
“All for the present,” said Dalibard, slowly drawing on his gloves, and retreating towards the door. The Chouan watched him with a suspicious and sinister eye; and as the Provencal’s hand was on the latch, he laid his own rough grasp on Dalibard’s shoulder,—
“I know not how it is, Monsieur Dalibard, but I mistrust you.”
“Distrust is natural and prudent to all who conspire,” replied the scholar, quietly. “I do not ask you to confide in me. Your employers bade you seek me: I have mentioned my conditions; let them decide.”
“You carry it off well, Monsieur Dalibard, and I am under a solemn oath, which poor George made me take, knowing me to be a hot-headed, honest fellow,—mauvaise tete, if you will,—that I will keep my hand off pistol and knife upon mere suspicion; that nothing less than his word, or than clear and positive proof of treachery, shall put me out of good humour and into warm blood. But bear this with you, Monsieur Dalibard: if I once discover that you use our secrets to betray them; should George see you, and one hair of his head come to injury through your hands,—I will wring your neck as a housewife wrings a pullet’s.”
“I don’t doubt your strength or your ferocity, Pierre Guillot; but my neck will be safe: you have enough to do to take care of your own. Au revoir.”
With a tone and look of calm and fearless irony, the scholar thus spoke, and left the room; but when he was on the stairs, he paused, and caught at the balustrade,—the sickness as of terror at some danger past, or to be, came over him; and this contrast between the self-command, or simulation, which belongs to moral courage, and the feebleness of natural and constitutional cowardice, would have been sublime if shown in a noble cause. In one so corrupt, it but betrayed a nature doubly formidable; for treachery and murder hatch their brood amidst the folds of a hypocrite’s cowardice.
While thus the interview is going on between Dalibard and the conspirator, we must bestow a glance upon the Provencal’s home.
In an apartment in one of the principal streets between the Boulevards and the Rue St. Honore, a boy and a woman sat side by side, conversing in whispers. The boy was Gabriel Varney, the woman Lucretia Dalibard. The apartment was furnished in the then modern taste, which affected classical forms; and though not without a certain elegance, had something meagre and comfortless in its splendid tripods and thin-legged chairs. There was in the apartment that air which bespeaks the struggle for appearances,—that struggle familiar to those of limited income and vain aspirings, who want the taste which smooths all inequalities and gives a smile to home; that taste which affection seems to prompt, if not to create, which shows itself in a thousand nameless, costless trifles, each a grace. No sign was there of the household cares or industry of women. No flowers, no music, no embroidery-frame, no work-table. Lucretia had none of the sweet feminine habits which betray so lovelily the whereabout of women. All was formal and precise, like rooms which we enter and leave,—not those in which we settle and dwell.
Lucretia herself is changed; her air is more assured, her complexion more pale, the evil character of her mouth more firm and pronounced.