These hopes and speculations did not, as we have seen, absorb the restless and rank energies of Dalibard’s crooked, but capacious and grasping intellect. Patiently and ingeniously he pursued his main political object,—the detection of that audacious and complicated conspiracy against the First Consul, which ended in the tragic deaths of Pichegru, the Duc d’Enghien, and the erring but illustrious hero of La Vendee, George Cadoudal. In the midst of these dark plots for personal aggrandizement and political fortune, we leave, for the moment, the sombre, sullen soul of Olivier Dalibard.
Time has passed on, and spring is over the world. The seeds buried in the earth burst to flower; but man’s breast knoweth not the sweet division of the seasons. In winter or summer, autumn or spring alike, his thoughts sow the germs of his actions, and day after day his destiny gathers in her harvests.
The joy-bells ring clear through the groves of Laughton,—an heir is born to the old name and fair lands of St. John. And, as usual, the present race welcomes merrily in that which shall succeed and replace it,—that which shall thrust the enjoyers down into the black graves, and wrest from them the pleasant goods of the world. The joy-bell of birth is a note of warning to the knell for the dead; it wakes the worms beneath the mould: the new-born, every year that it grows and flourishes, speeds the parent to their feast. Yet who can predict that the infant shall become the heir? Who can tell that Death sits not side by side with the nurse at the cradle? Can the mother’s hand measure out the woof of the Parcae, or the father’s eye detect through the darkness of the morrow the gleam of the fatal shears?
It is market-day at a town in the midland districts of England. There Trade takes its healthiest and most animated form. You see not the stunted form and hollow eye of the mechanic,—poor slave of the capitalist, poor agent and victim of the arch disequalizer, Civilization. There strides the burly form of the farmer; there waits the ruddy hind with his flock; there, patient, sits the miller with his samples of corn; there, in the booths, gleam the humble wares which form the luxuries of cottage and farm. The thronging of men, and the clacking of whips, and the dull sound of wagon or dray, that parts the crowd as it passes, and the lowing of herds and the bleating of sheep,—all are sounds of movement and bustle, yet blend with the pastoral associations of the primitive commerce, when the link between market and farm was visible and direct.
Towards one large house in the centre of the brisk life ebbing on, you might see stream after stream pour its way. The large doors swinging light on their hinges, the gilt letters that shine above the threshold, the windows, with their shutters outside cased in iron and studded with nails, announce that that house is the bank of the town. Come in with that yeoman whose broad face tells its tale, sheepish and down-eyed,—he has come, not to invest, but to borrow. What matters? War is breaking out anew, to bring the time of high prices and paper money and credit. Honest yeoman, you will not be refused. He scratches his rough head, pulls a leg, as he calls it, when the clerk leans over the counter, and asks to see “Muster Mawnering hisself.” The clerk points to the little office-room of the new junior partner, who has brought 10,000 pounds and a clear head to the firm. And the yeoman’s great boots creak heavily in. I told you so, honest yeoman; you come out with a smile on your brown face, and your hand, that might fell an ox, buttons up your huge breeches pocket. You will ride home with a light heart; go and dine, and be merry.
The yeoman tramps to the ordinary; plates clatter, tongues wag, and the borrower’s full heart finds vent in a good word for that kind “Muster Mawnering.” For a wonder, all join in the praise. “He’s an honour to the town; he’s a pride to the country. Thof he’s such a friend at a pinch, he’s a rale mon of business. He’ll make the baunk worth a million! And how well he spoke at the great county meeting about the war, and the laund, and them bloodthirsty Mounseers! If their members were loike him, Muster Fox would look small!”
The day declines; the town empties; whiskeys, horses, and carts are giving life to the roads and the lanes; and the market is deserted, and the bank is shut up, and William Mainwaring walks back to his home at the skirts of the town. Not villa nor cottage, that plain English house, with its cheerful face of red brick, and its solid squareness of shape,—a symbol of substance in the fortunes of the owner! Yet as he passes, he sees through the distant trees the hall of the member for the town. He pauses a moment, and sighs unquietly. That pause and that sigh betray the germ of ambition and discontent. Why should not he, who can speak so well, be member for the town, instead of that stammering squire? But his reason has soon silenced the querulous murmur. He hastens his step,—he is at home! And there, in the neat-furnished drawing-room, which looks on the garden behind, hisses the welcoming tea-urn; and the piano is open, and there is a packet of new books on the table; and, best of all, there is the glad face of the sweet English wife. The happy scene was characteristic of the time, just when the simpler and more innocent luxuries of the higher class spread, not to spoil, but refine the middle. The dress, air, mien, movements of the young couple; the unassuming, suppressed, sober elegance of the house; the flower-garden, the books, and the music, evidences of cultivated taste, not signals of display,—all bespoke the gentle fusion of ranks before rude and uneducated wealth, made in looms and lucky hits, rushed in to separate forever the gentleman from the parvenu.
Spring smiles over Paris, over the spires of Notre Dame and the crowded alleys of the Tuileries, over thousands and thousands eager, joyous, aspiring, reckless,—the New Race of France, bound to one man’s destiny, children of glory and of carnage, whose blood the wolf and the vulture scent, hungry, from afar!
The conspiracy against the life of the First Consul has been detected and defeated. Pichegru is in prison, George Cadoudal awaits his trial, the Duc d’Enghien sleeps in his bloody grave; the imperial crown is prepared for the great soldier, and the great soldier’s creatures bask in the noonday sun. Olivier Dalibard is in high and lucrative employment; his rise is ascribed to his talents, his opinions. No service connected with the detection of the conspiracy is traced or traceable by the public eye. If such exist, it is known but to those who have no desire to reveal it. The old apartments are retained, but they are no longer dreary and comfortless and deserted. They are gay with draperies and ormolu and mirrors; and Madame Dalibard has her nights of reception, and Monsieur Dalibard has already his troops of clients. In that gigantic concentration of egotism which under Napoleon is called the State, Dalibard has found his place. He has served to swell the power of the unit, and the cipher gains importance by its position in the sum.
Jean Bellanger is no more. He died, not suddenly, and yet of some quick disease,—nervous exhaustion; his schemes, they said, had worn him out. But the state of Dalibard, though prosperous, is not that of the heir to the dead millionnaire. What mistake is this? The bulk of that wealth must go to the nearest kin,—so runs the law. But the will is read; and, for the first time, Olivier Dalibard learns that the dead man had a son,—a son by a former marriage,—the marriage undeclared, unknown, amidst the riot of the Revolution; for the wife was the daughter of a proscrit. The son had been reared at a distance, put to school at Lyons, and unavowed to the second wife, who had brought an ample dower, and whom that discovery might have deterred from the altar. Unacknowledged through life, in death at least the son’s rights are proclaimed; and Olivier Dalibard feels that Jean Bellanger has died in vain! For days has the pale Provencal been closeted with lawyers; but there is no hope in litigation. The proofs of the marriage, the birth, the identity, come out clear and clearer; and the beardless schoolboy at Lyons reaps all the profit of those nameless schemes and that mysterious death. Olivier Dalibard desires the friendship, the intimacy of the heir; but the heir is consigned to the guardianship of a merchant at Lyons, near of kin to his mother, and the guardian responds but coldly to Olivier’s letters. Suddenly the defeated aspirant seems reconciled to his loss. The widow Bellanger has her own separate fortune, and it is large beyond expectation. In addition to the wealth she brought the deceased, his affection had led him to invest vast sums in her name. The widow then is rich,—rich as the heir himself. She is still fair. Poor woman, she needs consolation! But, meanwhile, the nights of Olivier Dalibard are disturbed and broken. His eye in the daytime is haggard and anxious; he is seldom seen on foot in the streets. Fear is his companion by day, and sits at night on his pillow. The Chouan, Pierre Guillot, who looked to George Cadoudal as a god, knows that George Cadoudal has been betrayed, and suspects Olivier Dalibard; and the Chouan has an arm of iron, and a heart steeled against all mercy. Oh, how the pale scholar thirsted for that Chouan’s blood! With what relentless pertinacity, with what ingenious research, he had set all the hounds of the police upon the track of that single man! How notably he had failed! An avenger lived; and Olivier Dalibard started at his own shadow on the wall. But he did not the less continue to plot and to intrigue—nay, such occupation became more necessary, as an escape from himself.