Lord L’Estrange threw himself on a sofa, and leaned his cheek on his hand thoughtfully. Audley Egerton sat near him, with his arms folded, and gazed on his friend’s face with a soft expression of aspect, which was very unusual to the firm outline of his handsome features. The two men were as dissimilar in person as the reader will have divined that they were in character. All about Egerton was so rigid, all about L’Estrange so easy. In every posture of Harley’s there was the unconscious grace of a child. The very fashion of his garments showed his abhorrence of restraint. His clothes were wide and loose; his neckcloth, tied carelessly, left his throat half bare. You could see that he had lived much in warm and southern lands, and contracted a contempt for conventionalities; there was as little in his dress as in his talk of the formal precision of the North. He was three or four years younger than Audley, but he looked at least twelve years younger. In fact, he was one of those men to whom old age seems impossible; voice, look, figure, had all the charm of youth: and perhaps it was from this gracious youthfulness—at all events, it was characteristic of the kind of love he inspired—that neither his parents, nor the few friends admitted into his intimacy, ever called him, in their habitual intercourse, by the name of his title. He was not L’Estrange with them, he was Harley; and by that familiar baptismal I will usually designate him. He was not one of those men whom author or reader wish to view at a distance, and remember as “my Lord”—it was so rarely that he remembered it himself. For the rest, it had been said of him by a shrewd wit, “He is so natural that every one calls him affected.” Harley L’Estrange was not so critically handsome as Audley Egerton; to a commonplace observer, he was only rather good-looking than otherwise. But women said that he had “a beautiful countenance,” and they were not wrong. He wore his hair, which was of a fair chestnut, long, and in loose curls; and instead of the Englishman’s whiskers, indulged in the foreigner’s mustache. His complexion was delicate, though not effeminate: it was rather the delicacy of a student than of a woman. But in his clear gray eye there was a wonderful vigour of life. A skilful physiologist, looking only into that eye, would have recognized rare stamina of constitution,—a nature so rich that, while easily disturbed, it would require all the effects of time, or all the fell combinations of passion and grief, to exhaust it. Even now, though so thoughtful, and even so sad, the rays of that eye were as concentrated and steadfast as the light of the diamond.
“You were only, then, in jest,” said Audley, after a long silence, “when you spoke of this mission to Florence. You have still no idea of entering into public life?”
“None.”
“I had hoped better things when I got your promise to pass one season in London; but, indeed, you have kept your promise to the ear to break it to the spirit. I could not presuppose that you would shun all society, and be as much of a hermit here as under the vines of Como.”
“I have sat in the Strangers’ Gallery, and heard your great speakers; I have been in the pit of the opera, and seen your fine ladies; I have walked your streets; I have lounged in your parks, and I say that I can’t fall in love with a faded dowager, because she fills up her wrinkles with rouge.”
“Of what dowager do you speak?” asked the matter-of-fact Audley.
“She has a great many titles. Some people call her Fashion, you busy men, Politics: it is all one,—tricked out and artificial. I mean London Life. No, I can’t fall in love with her, fawning old harridan!”
“I wish you could fall in love with something.”
“I wish I could, with all my heart.”
“But you are so blaze.”