Perhaps as the Creator looks down on this world, whose wondrous beauty beams on us more and more, in proportion as our science would take it from poetry into law,—perhaps He beholds nothing so beautiful as the pure heart of a simple loving child.
CHAPTER XIV.
Leonard went out the next day with his precious manuscripts. He had read sufficient of modern literature to know the names of the principal London publishers; and to these he took his way with a bold step, though a beating heart.
That day he was out longer than the last; and when he returned, and came into the little room, Helen uttered a cry, for she scarcely recognized him,—there was on his face so deep, so silent, and so concentrated a despondency. He sat down listlessly, and did not kiss her this time, as she stole towards him. He felt so humbled. He was a king deposed.
He take charge of another life! He!
She coaxed him at last into communicating his day’s chronicle. The reader beforehand knows too well what it must be to need detailed repetition. Most of the publishers had absolutely refused to look at his manuscripts; one or two had good-naturedly glanced over and returned them at once with a civil word or two of flat rejection. One publisher alone—himself a man of letters, and who in youth had gone through the same bitter process of disillusion that now awaited the village genius—volunteered some kindly though stern explanation and counsel to the unhappy boy. This gentleman read a portion of Leonard’s principal poem with attention, and even with frank admiration. He could appreciate the rare promise that it manifested. He sympathized with the boy’s history, and even with his hopes; and then he said, in bidding him farewell,
“If I publish this poem for you, speaking as a trader, I shall be a considerable loser. Did I publish all I admire, out of sympathy with the author, I should be a ruined man. But suppose that, impressed as I really am with the evidence of no common poetic gifts in this manuscript, I publish it, not as a trader, but a lover of literature, I shall in reality, I fear, render you a great disservice, and perhaps unfit your whole life for the exertions on which you must rely for independence.”
“How, sir?” cried Leonard. “Not that I would ask you to injure yourself for me,” he added, with proud tears in his eyes.
“How, my young friend? I will explain. There is enough talent in these verses to induce very flattering reviews in some of the literary journals. You will read these, find yourself proclaimed a poet, will cry ‘I am on the road to fame.’ You will come to me, ‘And my poem, how does it sell?’ I shall point to some groaning shelf, and say, ‘Not twenty copies! The journals may praise, but the public will not buy it.’ ‘But you will have got a name,’ you say. Yes, a name as a poet just sufficiently known to make every man in practical business disinclined to give fair trial to your talents in a single department of positive life; none like to employ poets;—a name that will not put a penny in your purse,—worse still, that will operate as a barrier against every escape into the ways whereby men get to fortune. But having once tasted praise, you will continue to sigh for it: you will perhaps never again get a publisher to bring forth a poem, but you will hanker round the purlieus of the Muses, scribble for periodicals, fall at last into a bookseller’s drudge. Profits will be so precarious and uncertain, that to avoid debt may be impossible; then, you who now seem so ingenuous and so proud, will sink deeper still into the literary mendicant, begging, borrowing—”