Here Leonard’s interest grew intense. Were there touches by which conjecture grew certainty; and he recognized, through the lapse of years, the boy-lover in his own generous benefactor?
Fragments of dialogue now began to reveal the suit of an ardent, impassioned nature, and the simple wonder and strange alarm of a listener who pitied but could not sympathize. Some great worldly distinction of rank between the two became visible,—that distinction seemed to arm the virtue and steel the affections of the lowlier born. Then a few sentences, half blotted out with tears, told of wounded and humbled feelings,—some one invested with authority, as if the suitor’s parent, had interfered, questioned, reproached, counselled. And it was evident that the suit was not one that dishonoured; it wooed to flight, but still to marriage.
And now these sentences grew briefer still, as with the decision of a strong resolve. And to these there followed a passage so exquisite, that Leonard wept unconsciously as he read. It was the description of a visit spent at home previous to some sorrowful departure. He caught the glimpse of a proud and vain, but a tender wistful mother, of a father’s fonder but less thoughtful love. And then came a quiet soothing scene between the girl and her first village lover, ending thus: “So she put M.‘s hand into her sister’s, and said, ‘You loved me through the fancy, love her with the heart,’ and left them comprehending each other, and betrothed.”
Leonard sighed. He understood now how Mark Fairfield saw, in the homely features of his unlettered wife, the reflection of the sister’s soul and face.
A few words told the final parting,—words that were a picture. The long friendless highway, stretching on—on—towards the remorseless city, and the doors of home opening on the desolate thoroughfare, and the old pollard-tree beside the threshold, with the ravens wheeling round it and calling to their young. He too had watched that threshold from the same desolate thoroughfare. He too had heard the cry of the ravens. Then came some pages covered with snatches of melancholy verse, or some reflections of dreamy gloom.
The writer was in London, in the house of some high-born patroness,—that friendless shadow of a friend which the jargon of society calls “companion.” And she was looking on the bright storm of the world as through prison bars. Poor bird, afar from the greenwood, she had need of song,—it was her last link with freedom and nature. The patroness seems to share in her apprehensions of the boy suitor, whose wild rash prayers the fugitive had resisted; but to fear lest the suitor should be degraded, not the one whom he pursues,—fear an alliance ill-suited to a high-born heir. And this kind of fear stings the writer’s pride, and she grows harsh in her judgment of him who thus causes but pain where he proffers love. Then there is a reference to some applicant for her hand, who is pressed upon her choice; and she is told that it is her duty so to choose, and thus deliver a noble family from a dread that endures so long as her hand is free. And of this fear, and of this applicant, there breaks out a petulant yet pathetic scorn. After this the narrative, to judge by the dates, pauses for days and weeks, as if the writer had grown weary and listless,—suddenly to reopen in a new strain, eloquent with hopes and with fears never known before. The first person was abruptly assumed,—it was the living “I” that now breathed and moved along the lines. How was this? The woman was no more a shadow and a secret unknown to herself. She had assumed the intense and vivid sense of individual being; and love spoke loud in the awakened human heart.
A personage not seen till then appeared on the page. And ever afterwards this personage was only named as “He,” as if the one and sole representative of all the myriads that walk the earth. The first notice of this prominent character on the scene showed the restless, agitated effect produced on the writer’s imagination. He was invested with a romance probably not his own. He was described in contrast to the brilliant boy whose suit she had feared, pitied, and now sought to shun,—described with a grave and serious, but gentle mien, a voice that imposed respect, an eye and lip that showed collected dignity of will. Alas? the writer betrayed herself, and the charm was in the contrast, not to the character of the earlier lover, but her own. And now, leaving Leonard to explore and guess his way through the gaps and chasms of the narrative, it is time to place before the reader what the narrative alone will not reveal to Leonard.
CHAPTER XVI.
Nora Avenel had fled from the boyish love of Harley L’Estrange, recommended by Lady Lansmere to a valetudinarian relative of her own, Lady Jane Horton, as companion. But Lady Lansmere could not believe it possible that the lowborn girl could long sustain her generous pride, and reject the ardent suit of one who could offer to her the prospective coronet of a countess. She continually urged upon Lady Jane the necessity of marrying Nora to some one of rank less disproportioned to her own, and empowered that lady to assure any such wooer of a dowry far beyond Nora’s station. Lady Jane looked around, and saw in the outskirts of her limited social ring a young solicitor, a peer’s natural son, who was on terms of more than business-like intimacy with the fashionable clients whose distresses made the origin of his wealth. The young man was handsome, well-dressed, and bland. Lady Jane invited him to her house; and, seeing him struck with the rare loveliness of Nora, whispered the hint of the dower. The fashionable solicitor, who afterwards ripened into Baron Levy, did not need that hint; for, though then poor, he relied on himself for fortune, and, unlike Randal, he had warm blood in his veins. But Lady Jane’s suggestions made him sanguine of success; and when he formally proposed, and was as formally refused, his self-love was bitterly wounded. Vanity in Levy was a powerful passion; and with the vain, hatred is strong, revenge is rankling. Levy retired, concealing his rage; nor did he himself know how vindictive that rage, when it cooled into malignancy, could become, until the arch-fiend OPPORTUNITY prompted its indulgence and suggested its design.