“You have a charming abode here,” said Lord L’Estrange, looking round. “Very fine bronzes,—excellent taste. Your reception-rooms above are, doubtless, a model to all decorators?”
“Would your Lordship condescend to see them?” said Levy, wondering, but flattered.
“With the greatest pleasure.”
“Lights!” cried Levy, to the servant who answered his bell. “Lights in the drawing-rooms,—it is growing dark.” Lord L’Estrange followed the usurer upstairs; admired everything,—pictures, draperies, Sevres china, to the very shape of the downy fauteuils, to the very pattern of the Tournay carpets. Reclining then on one of the voluptuous sofas, Lord L’Estrange said smilingly, “You are a wise man: there is no advantage in being rich, unless one enjoys one’s riches.”
“My own maxim, Lord L’Estrange.”
“And it is something, too, to have a taste for good society. Small pride would you have, my dear baron, in these rooms, luxurious though they are, if filled with guests of vulgar exterior and plebeian manners. It is only in the world in which we move that we find persons who harmonize, as it were, with the porcelain of Sevres, and these sofas that might have come from Versailles.”
“I own,” said Levy, “that I have what some may call a weakness in a parvenu like myself. I have a love for the beau monde. It is indeed a pleasure to me when I receive men like your Lordship.”
“But why call yourself a parvenu? Though you are contented to honour the name of Levy, we, in society, all know that you are the son of a long-descended English peer. Child of love, it is true; but the Graces smile on those over whose birth Venus presided. Pardon my old-fashioned mythological similes,—they go so well with these rooms—Louis Quinze.”
“Since you have touched on my birth,” said Levy, his colour rather heightening, not with shame, but with pride, “I don’t deny that it has had some effect on my habits and tastes in life. In fact—”
“In fact, own that you would be a miserable man, in spite of all your wealth, if the young dandies, who throng to your banquets, were to cut you dead in the streets; if, when your high-stepping horse stopped at your club, the porter shut the door in your face; if, when you lounged into the opera-pit, handsome dog that you are, each spendthrift rake in ‘Fop’s Alley,’ who now waits but the scratch of your pen to endorse billets doux with the charm that can chain to himself for a month some nymph of the Ballet, spinning round in a whirlwind of tulle, would shrink from the touch of your condescending forefinger with more dread of its contact than a bailiff’s tap in the thick of Pall Mall could inspire; if, reduced to the company of city clerks, parasite led-captains—”