In two minutes more the carriage halted again, before a building which looked white and ghostlike through the mist. The driver dismounted, opened with a latch-key a window-door, entered for a moment to light the candles in a solitary room from a fire that blazed on the hearth, reappeared, and opened the carriage-door. It was with a difficulty for which they were scarcely prepared that they were enabled to get Fanny from the carriage. No soft words, no whispered prayers could draw her forth; and it was with no trifling address, for her companion sought to be as gentle as the force necessary to employ would allow, that he disengaged her hands from the window-frame, the lining, the cushions, to which they clung; and at last bore her into the house. The driver closed the window again as he retreated, and they were alone. Fanny then cast a wild, scarce conscious glance over the apartment. It was small and simply furnished. Opposite to her was an old-fashioned bureau, one of those quaint, elaborate monuments of Dutch ingenuity, which, during the present century, the audacious spirit of curiosity-vendors has transplanted from their native receptacles, to contrast, with grotesque strangeness, the neat handiwork of Gillow and Seddon. It had a physiognomy and character of its own—this fantastic foreigner! Inlaid with mosaics, depicting landscapes and animals; graceless in form and fashion, but still picturesque, and winning admiration, when more closely observed, from the patient defiance of all rules of taste which had formed its cumbrous parts into one profusely ornamented and eccentric whole. It was the more noticeable from its total want of harmony with the other appurtenances of the room, which bespoke the tastes of the plain English squire. Prints of horses and hunts, fishing-rods and fowling-pieces, carefully suspended, decorated the walls. Not, however, on this notable stranger from the sluggish land rested the eye of Fanny. That, in her hurried survey, was arrested only by a portrait placed over the bureau—the portrait of a female in the bloom of life; a face so fair, a brow so candid, and eyes so pure, a lip so rich in youth and joy—that as her look lingered on the features Fanny felt comforted, felt as if some living protectress were there. The fire burned bright and merrily; a table, spread as for dinner, was drawn near it. To any other eye but Fanny’s the place would have seemed a picture of English comfort. At last her looks rested on her companion. He had thrown himself, with a long sigh, partly of fatigue, partly of satisfaction, on one of the chairs, and was contemplating her as she thus stood and gazed, with an expression of mingled curiosity and admiration; she recognised at once her first, her only persecutor. She recoiled, and covered her face with her hands. The man approached her:—
“Do not hate me, Fanny,—do not turn away. Believe me, though I have acted thus violently, here all violence will cease. I love you, but I will not be satisfied till you love me in return. I am not young, and I am not handsome, but I am rich and great, and I can make those whom I love happy,—so happy, Fanny!”
But Fanny had turned away, and was now busily employed in trying to re-open the door at which she had entered. Failing in this, she suddenly darted away, opened the inner door, and rushed into the passage with a loud cry. Her persecutor stifled an oath, and sprung after and arrested her. He now spoke sternly, and with a smile and a frown at once:—
“This is folly;—come back, or you will repent it! I have promised you, as a gentleman—as a nobleman, if you know what that is—to respect you. But neither will I myself be trifled with nor insulted. There must be no screams!”
His look and his voice awed Fanny in spite of her bewilderment and her loathing, and she suffered herself passively to be drawn into the room. He closed and bolted the door. She threw herself on the ground in one corner, and moaned low but piteously. He looked at her musingly for some moments, as he stood by the fire, and at last went to the door, opened it, and called “Harriet” in a low voice. Presently a young woman, of about thirty, appeared, neatly but plainly dressed, and of a countenance that, if not very winning, might certainly be called very handsome. He drew her aside for a few moments, and a whispered conference was exchanged. He then walked gravely up to Fanny “My young friend,” said he, “I see my presence is too much for you this evening. This young woman will attend you—will get you all you want. She can tell you, too, that I am not the terrible sort of person you seem to suppose. I shall see you to-morrow.” So saying, he turned on his heel and walked out.
Fanny felt something like liberty, something like joy, again. She rose, and looked so pleadingly, so earnestly, so intently into the woman’s face, that Harriet turned away her bold eyes abashed; and at this moment Dykeman himself looked into the room.
“You are to bring us in dinner here yourself, uncle; and then go to my lord in the drawing-room.”
Dykeman looked pleased, and vanished. Then Harriet came up and took Fanny’s hand, and said, kindly,—
“Don’t be frightened. I assure you, half the girls in London would give I don’t know what to be in your place. My lord never will force you to do anything you don’t like—it’s not his way; and he’s the kindest and best man,—and so rich; he does not know what to do with his money!”
To all this Fanny made but one answer,—she threw herself suddenly upon the woman’s breast, and sobbed out: “My grandfather is blind, he cannot do without me—he will die—die. Have you nobody you love, too? Let me go—let me out! What can they want with me?—I never did harm to any one.”