There was a slight pause. “Criticism,” renewed Paul, “must be a most difficult art.”
“A-hem! And what art is there, sir, that is not difficult,—at least, to become master of?”
“True,” sighed Paul; “or else—”
“Or else what, boy?” repeated Mr. MacGrawler, seeing that Paul hesitated, either from fear of his superior knowledge, as the critic's vanity suggested, or from (what was equally likely) want of a word to express his meaning.
“Why, I was thinking, sir,” said Paul, with that desperate courage which gives a distinct and loud intonation to the voice of all who set, or think they set, their fate upon a cast,—“I was thinking that I should like to become a critic myself!”
“W-h-e-w!” whistled MacGrawler, elevating his eyebrows; “w-h-e-w! great ends have come of less beginnings!”
Encouraging as this assertion was, coming as it did from the lips of so great a man and so great a critic, at the very moment too when nothing short of an anathema against arrogance and presumption was expected to issue from those portals of wisdom, yet such is the fallacy of all human hopes, that Paul's of a surety would have been a little less elated, had he, at the same time his ears drank in the balm of these gracious words, been able to have dived into the source whence they emanated.
“Know thyself!” was a precept the sage MacGrawler had endeavoured to obey; consequently the result of his obedience was that even by himself he was better known than trusted. Whatever he might appear to others, he had in reality no vain faith in the infallibility of his own talents and resources; as well might a butcher deem himself a perfect anatomist from the frequent amputation of legs of mutton, as the critic of “The Asinaeum” have laid “the flattering unction to his soul” that he was really skilled in the art of criticism, or even acquainted with one of its commonest rules, because he could with all speed cut up and disjoint any work, from the smallest to the greatest, from the most superficial to the most superior; and thus it was that he never had the want of candour to deceive himself as to his own talents. Paul's wish therefore was no sooner expressed than a vague but golden scheme of future profit illumined the brain of MacGrawler,—in a word, he resolved that Paul should henceforward share the labour of his critiques; and that he, MacGrawler, should receive the whole profits in return for the honour thereby conferred on his coadjutor.
Looking therefore at our hero with a benignant air, Mr. MacGrawler thus continued:—
“Yes, I repeat,—great ends have come from less beginnings! Rome was not built in a day; and I, Paul, I myself was not always the editor of 'The Asinaeum.' You say wisely, criticism is a great science, a very great science; and it maybe divided into three branches,—namely, 'to tickle, to slash, and to plaster.' In each of these three I believe without vanity I am a profound adept! I will initiate you into all. Your labours shall begin this very evening. I have three works on my table; they must be despatched by tomorrow night. I will take the most arduous; I abandon to you the others. The three consist of a Romance, an Epic in twelve books, and an Inquiry into the Human Mind, in three volumes. I, Paul, will tickle the Romance; you this very evening shall plaster the Epic, and slash the Inquiry!”