We have before said that Lucy was fond both of her uncle and his society; and still, whenever the subject of Lord Mauleverer and his suit was left untouched, there was that in the conversation of Sir William Brandon which aroused an interest in her mind, engrossed and self-consuming as it had become. Sorrow, indeed, and sorrow's companion, reflection, made her more and more capable of comprehending a very subtle and intricate character. There is no secret for discovering the human heart like affliction, especially the affliction which springs from passion. Does a writer startle you with his insight into your nature, be sure that he has mourned; such lore is the alchemy of tears. Hence the insensible and almost universal confusion of idea which confounds melancholy with depth, and finds but hollow inanity in the symbol of a laugh. Pitiable error! Reflection first leads us to gloom, but its next stage is to brightness. The Laughing Philosopher had reached the goal of Wisdom; Heraclitus whimpered at the starting-post. But enough for Lucy to gain even the vestibule of philosophy.
Notwithstanding the soreness we naturally experience towards all who pertinaciously arouse an unpleasant subject, and in spite therefore of Brandon's furtherance of Mauleverer's courtship, Lucy felt herself inclined strangely, and with something of a daughter's affection, towards this enigmatical being; in spite, too, of all the cold and measured vice of his character,—the hard and wintry grayness of heart with which he regarded the welfare of others, or the substances of Truth, Honour, and Virtue,—the callousness of his fossilized affections, which no human being softened but for a moment, and no warm and healthful impulse struck, save into an evanescent and idle flash;—in spite of this consummate obduracy and worldliness of temperament, it is not paradoxical to say that there was something in the man which Lucy found at times analogous to her own vivid and generous self. This was, however, only noticeable when she led him to talk over earlier days, and when by degrees the sarcastic lawyer forgot the present, and grew eloquent, not over the actions, but the feelings of the past. He would speak to her for hours of his youthful dreams, his occupations, or his projects, as a boy. Above all, he loved to converse with her upon Warlock, its remains of ancient magnificence, the green banks of the placid river that enriched its domains, and the summer pomp of wood and heath-land, amidst which his noonday visions had been nursed.
When he spoke of these scenes and days, his countenance softened, and something in its expression, recalling to Lucy the image of one still dearer, made her yearn to him the more. An ice seemed broken from his mind, and streams of released and gentle feelings, mingled with kindly and generous sentiment, flowed forth. Suddenly a thought, a word, brought him back to the present,—his features withered abruptly into their cold placidity or latent sneer; the seal closed suddenly on the broken spell, and, like the victim of a fairy-tale, condemned at a stated hour to assume another shape, the very being you had listened to seemed vanished, and replaced by one whom you startled to behold. But there was one epoch of his life on which he was always silent, and that was his first onset into the actual world,—the period of his early struggle into wealth and fame. All that space of time seemed as a dark gulf, over which he had passed, and become changed at once,—as a traveller landing in a strange climate may adopt, the moment he touches its shore, its costume and its language.
All men—the most modest—have a common failing; but it is one which often assumes the domino and mask,—pride! Brandon was, however, proud to a degree very rare in men who have risen and flourished in the world. Out of the wrecks of all other feelings this imperial survivor made one great palace for its residence, and called the fabric "Disdain." Scorn was the real essence of Brandon's nature; even in the blandest disguises, the smoothness of his voice, the insinuation of his smile, the popular and supple graces of his manners, an oily derision floated, rarely discernible, it is true, but proportioning its strength and quantum to the calm it produced.
In the interim, while his character thus displayed and contradicted itself in private life, his fame was rapidly rising in public estimation. Unlike many of his brethren, the brilliant lawyer had exceeded expectation, and shone even yet more conspicuously in the less adventitiously aided duties of the judge. Envy itself—and Brandon's political virulence had, despite his personal affability, made him many foes—was driven into acknowledging the profundity of his legal knowledge, and in admiring the manner in which the peculiar functions of his novel dignity were discharged. No juvenile lawyer browbeat, no hackneyed casuist puzzled, him; even his attention never wandered from the dullest case subjected to his tribunal. A painter, desirous of stamping on his canvas the portrait of an upright judge, could scarcely have found a finer realization for his beau-ideal than the austere, collected, keen, yet majestic countenance of Sir William Brandon, such as it seemed in the trappings of office and from the seat of justice.
The newspapers were not slow in recording the singular capture of the notorious Lovett. The boldness with which he had planned and executed the rescue of his comrades, joined to the suspense in which his wound for some time kept the public, as to his escape from one death by the postern gate of another, caused a very considerable ferment and excitation in the popular mind; and, to feed the impulse, the journalists were little slothful in retailing every anecdote, true or false, which they could collect touching the past adventures of the daring highwayman. Many a good story then came to light, which partook as much of the comic as the tragic,—for not a single one of the robber's adventures was noted for cruelty or bloodshed; many of them betokened rather an hilarious and jovial spirit of mirthful enterprise. It seemed as if he had thought the highway a capital arena for jokes, and only robbed for the sake of venting a redundant affection for jesting. Persons felt it rather a sin to be severe with a man of so merry a disposition; and it was especially observable that not one of the ladies who had been despoiled by the robber could be prevailed on to prosecute; on the contrary, they always talked of the event as one of the most agreeable remembrances in their lives, and seemed to bear a provoking gratitude to the comely offender, rather than resentment. All the gentlemen were not, however, of so placable a temper; and two sturdy farmers, with a grazier to boot, were ready to swear, "through thick and thin," to the identity of the prisoner with a horseman who had civilly borne each of them company for an hour in their several homeward rides from certain fairs, and had carried the pleasure of his society, they very gravely asserted, considerably beyond a joke; so that the state of the prisoner's affairs took a very sombre aspect, and the counsel—an old hand—intrusted with his cause declared confidentially that there was not a chance. But a yet more weighty accusation, because it came from a much nobler quarter, awaited Clifford. In the robbers' cavern were found several articles answering exactly to the description of those valuables feloniously abstracted from the person of Lord Mauleverer. That nobleman attended to inspect the articles, and to view the prisoner. The former he found himself able to swear to, with a very tranquillized conscience; the latter he beheld feverish, attenuated, and in a moment of delirium, on the sick-bed to which his wound had brought him. He was at no loss, however, to recognize in the imprisoned felon the gay and conquering Clifford, whom he had once even honoured with his envy. Although his former dim and vague suspicions of Clifford were thus confirmed, the good-natured peer felt some slight compunction at appearing as his prosecutor. This compunction, however, vanished the moment he left the sick man's apartment; and after a little patriotic conversation with the magistrates about the necessity of public duty,—a theme which brought virtuous tears into the eyes of those respectable functionaries,—he re-entered his carriage, returned to town, and after a lively dinner tete-a-tete with an old chere amie, who, of all her charms, had preserved only the attraction of conversation and the capacity of relishing a salami, Mauleverer, the very evening of his return, betook himself to the house of Sir William Brandon.
When he entered the hall, Barlow, the judge's favourite servant, met him, with rather a confused and mysterious air, and arresting him as he was sauntering into Brandon's library, informed him that Sir William was particularly engaged, but would join his lordship in the drawing-room. While Barlow was yet speaking, and Mauleverer was bending his right ear (with which he heard the best) towards him, the library door opened, and a man in a very coarse and ruffianly garb awkwardly bowed himself out.
"So this is the particular engagement," thought Mauleverer,—"a strange
Sir Pandarus; but those old fellows have droll tastes."
"I may go in now, my good fellow, I suppose?" said his lordship to Barlow; and without waiting an answer, he entered the library. He found Brandon alone, and bending earnestly over some letters which strewed his table. Mauleverer carelessly approached, and threw himself into an opposite chair. Sir William lifted his head, as he heard the movement; and Mauleverer, reckless as was that personage, was chilled and almost awed by the expression of his friend's countenance. Brandon's face was one which, however pliant, nearly always wore one pervading character,— calmness; whether in the smoothness of social courtesy, or the austerity of his official station, or the bitter sarcasm which escaped him at no unfrequent intervals, still a certain hard and inflexible dryness stamped both his features and his air. But at this time a variety of feelings not ordinarily eloquent in the outward man struggled in his dark face, expressive of all the energy and passion of his powerful and masculine nature; there seemed to speak from his features and eyes something of shame and anger and triumph and regret and scorn. All these various emotions, which it appears almost a paradox to assert met in the same expression, nevertheless were so individually and almost fearfully stamped as to convey at once their signification to the mind of Mauleverer. He glanced towards the letters, in which the writing seemed faint and discoloured by time or damp; and then once more regarding the face of Brandon, said in rather an anxious and subdued tone,—
"Heavens, Brandon! are you ill; or has anything happened? You alarm me!"