"Mine, I believe," said Ellen, modestly.
"Well," said Lady Roseville, "I fear we shall never have any popular poet in our time, now that Lord Byron is dead."
"So the booksellers say," replied Vincent; "but I doubt it: there will be always a certain interregnum after the death of a great poet, during which, poetry will be received with distaste, and chiefly for this reason, that nearly all poetry about the same period, will be of the same school as the most popular author. Now the public soon wearies of this monotony; and no poetry, even equally beautiful with that of the most approved writer, will become popular, unless it has the charm of variety. It must not be perfect in the old school, it must be daring in a new one;—it must effect a through revolution in taste, and build itself a temple out of the ruins of the old worship. All this a great genius may do, if he will take the pains to alter, radically, the style he may have formed already. He must stoop to the apprenticeship before he aspires to the mastery. C'est un metier que de faire un livre comme de faire une pendule."
"I must confess, for my part," said Lord Edward Neville (an author of some celebrity and more merit), "that I was exceedingly weary of those doleful ditties with which we were favoured for so many years. No sooner had Lord Byron declared himself unhappy, than every young gentleman with a pale face and dark hair, used to think himself justified in frowning in the glass and writing Odes to Despair. All persons who could scribble two lines were sure to make them into rhymes of "blight" and "night." Never was there so grand a penchant for the triste."
"It would be interesting enough," observed Vincent, "to trace the origin of this melancholy mania. People are wrong to attribute it to poor Lord Byron—it certainly came from Germany; perhaps Werter was the first hero of that school."
"There seems," said I, "an unaccountable prepossession among all persons, to imagine that whatever seems gloomy must be profound, and whatever is cheerful must be shallow. They have put poor Philosophy into deep mourning, and given her a coffin for a writing-desk, and a skull for an inkstand."
"Oh," cried Vincent, "I remember some lines so applicable to your remark, that I must forthwith interrupt you, in order to introduce them. Madame de Stael said, in one of her works, that melancholy was a source of perfection. Listen now to my author—
"'Une femme nous dit, et nous prouve en effet,
Qu'avant quelques mille ans l'homme sera parfait,
Qu'il devra cet etat a la melancolie.
On sait que la tristesse annonce le genie;
Nous avons deja fait des progres etonnans,
Que de tristes ecrits—que de tristes romans!
Des plus noires horreurs nous sommes idolatres,
Et la melancolie a gagne nos theatres.'"
"What!" cried I, "are you so well acquainted with my favourite book?"
"Your's!" exclaimed Vincent. "Gods, what a sympathy; [La Gastronomie,
Poeme, par J. Berchoux.] it has long been my most familiar
acquaintance; but—
"'Tell us what hath chanced to-day,
That Caesar looks so sad?'"