Chapter 8.III. Faithful and Ill-fated Love.—The Aspirations Survive the
Affections.
Since that fearful hour in which Adrian Colonna had gazed upon the lifeless form of his adored Irene, the young Roman had undergone the usual vicissitudes of a wandering and adventurous life in those exciting times. His country seemed no longer dear to him. His very rank precluded him from the post he once aspired to take in restoring the liberties of Rome; and he felt that if ever such a revolution could be consummated, it was reserved for one in whose birth and habits the people could feel sympathy and kindred, and who could lift his hand in their behalf without becoming the apostate of his order and the judge of his own House. He had travelled through various courts, and served with renown in various fields. Beloved and honoured wheresoever he fixed a temporary home, no change of scene had removed his melancholy—no new ties had chased away the memory of the Lost. In that era of passionate and poetical romance, which Petrarch represented rather than created, Love had already begun to assume a more tender and sacred character than it had hitherto known, it had gradually imbibed the divine spirit which it derives from Christianity, and which associates its sorrows on earth with the visions and hopes of heaven. To him who relies upon immortality, fidelity to the dead is easy; because death cannot extinguish hope, and the soul of the mourner is already half in the world to come. It is an age that desponds of a future life—representing death as an eternal separation—in which, if men grieve awhile for the dead, they hasten to reconcile themselves to the living. For true is the old aphorism, that love exists not without hope. And all that romantic worship which the Hermit of Vaucluse felt, or feigned, for Laura, found its temple in the desolate heart of Adrian Colonna. He was emphatically the Lover of his time! Often as, in his pilgrimage from land to land, he passed the walls of some quiet and lonely convent, he seriously meditated the solemn vows, and internally resolved that the cloister should receive his maturer age. The absence of years had, however, in some degree restored the dimmed and shattered affection for his fatherland, and he desired once more to visit the city in which he had first beheld Irene. “Perhaps,” he thought, “time may have wrought some unlooked-for change; and I may yet assist to restore my country.”
But with this lingering patriotism no ambition was mingled. In that heated stage of action, in which the desire of power seemed to stir through every breast, and Italy had become the El Dorado of wealth, or the Utopia of empire, to thousands of valiant arms and plotting minds, there was at least one breast that felt the true philosophy of the Hermit. Adrian’s nature, though gallant and masculine, was singularly imbued with that elegance of temperament which recoils from rude contact, and to which a lettered and cultivated indolence is the supremest luxury. His education, his experience, and his intellect, had placed him far in advance of his age, and he looked with a high contempt on the coarse villanies and base tricks by which Italian ambition sought its road to power. The rise and fall of Rienzi, who, whatever his failings, was at least the purest and most honourable of the self-raised princes of the age, had conspired to make him despond of the success of noble, as he recoiled from that of selfish aspirations. And the dreamy melancholy which resulted from his ill-starred love, yet more tended to wean him from the stale and hackneyed pursuits of the world. His character was full of beauty and of poetry—not the less so in that it found not a vent for its emotions in the actual occupation of the poet! Pent within, those emotions diffused themselves over all his thoughts and coloured his whole soul. Sometimes, in the blessed abstraction of his visions, he pictured to himself the lot he might have chosen had Irene lived, and fate united them—far from the turbulent and vulgar roar of Rome—but amidst some yet unpolluted solitude of the bright Italian soil. Before his eye there rose the lovely landscape—the palace by the borders of the waveless lake—the vineyards in the valley—the dark forests waving from the hill—and that home, the resort and refuge of all the minstrelsy and love of Italy, brightened by the “Lampeggiar dell’ angelico riso,” that makes a paradise in the face we love. Often, seduced by such dreams to complete oblivion of his loss, the young wanderer started from the ideal bliss, to behold around him the solitary waste of way—or the moonlit tents of war—or, worse than all, the crowds and revels of a foreign court.
Whether or not such fancies now, for a moment, allured his meditations, conjured up, perhaps, by the name of Irene’s brother, which never sounded in his ears but to awaken ten thousand associations, the Colonna remained thoughtful and absorbed, until he was disturbed by his own squire, who, accompanied by Montreal’s servitors, ushered in his solitary but ample repast. Flasks of the richest Florentine wines—viands prepared with all the art which, alas, Italy has now lost!—goblets and salvers of gold and silver, prodigally wrought with barbaric gems—attested the princely luxury which reigned in the camp of the Grand Company. But Adrian saw in all only the spoliation of his degraded country, and felt the splendour almost as an insult. His lonely meal soon concluded, he became impatient of the monotony of his tent; and, tempted by the cool air of the descending eve, sauntered carelessly forth. He bent his steps by the side of the brooklet that curved, snakelike and sparkling, by Montreal’s tent; and finding a spot somewhat solitary and apart from the warlike tenements around, flung himself by the margin of the stream.
The last rays of the sun quivered on the wave that danced musically over its stony bed; and amidst a little copse on the opposite bank broke the brief and momentary song of such of the bolder habitants of that purple air as the din of the camp had not scared from their green retreat. The clouds lay motionless to the west, in that sky so darkly and intensely blue, never seen but over the landscapes that a Claude or a Rosa loved to paint; and dim and delicious rose-hues gathered over the grey peaks of the distant Apennines. From afar floated the hum of the camp, broken by the neigh of returning steeds; the blast of an occasional bugle; and, at regular intervals, by the armed tramp of the neighbouring sentry. And opposite to the left of the copse—upon a rising ground, matted with reeds, moss, and waving shrubs—were the ruins of some old Etruscan building, whose name had perished, whose very uses were unknown.
The scene was so calm and lovely, as Adrian gazed upon it, that it was scarcely possible to imagine it at that very hour the haunt of fierce and banded robbers, among most of whom the very soul of man was embruted, and to all of whom murder or rapine made the habitual occupation of life.
Still buried in his reveries, and carelessly dropping stones into the noisy rivulet, Adrian was aroused by the sound of steps.
“A fair spot to listen to the lute and the ballads of Provence,” said the voice of Montreal, as the Knight of St. John threw himself on the turf beside the young Colonna.