It was my turn to laugh now. “I see how it is, you little witch,” said I; “you would coax us to come and live with you and the owls! With all my heart, so far as I am concerned.”
“Sisty,” said Blanche, with an appalling solemnity on her face, “do you know what I’ve been thinking?”
“Not I, miss—what? Something very deep, I can see,—very horrible, indeed, I fear; you look so serious.”
“Why, I’ve been thinking,” continued Blanche, not relaxing a muscle, and without the least bit of a blush—“I’ve been thinking that I’ll be your little wife; and then, of course, we shall all live together.”
Blanche did not blush, but I did. “Ask me that ten years hence, if you dare, you impudent little thing; and now, run away to Mrs. Primmins and tell her to keep you out of mischief, for I must say ‘Good morning.’”
But Blanche did not run away, and her dignity seemed exceedingly hurt at my mode of taking her alarming proposition, for she retired into a corner pouting, and sat down with great majesty. So there I left her, and went my way to Vivian. He was out; but seeing books on his table, and having nothing to do, I resolved to wait for his return. I had enough of my father in me to turn at once to the books for company; and by the side of some graver works which I had recommended, I found certain novels in French that Vivian had got from a circulating library. I had a curiosity to read these; for except the old classic novels of France, this mighty branch of its popular literature was then new to me. I soon got interested; but what an interest!—the interest that a nightmare might excite if one caught it out of one’s sleep and set to work to examine it. By the side of what dazzling shrewdness, what deep knowledge of those holes and corners in the human system of which Goethe must have spoken when he said somewhere,—if I recollect right, and don’t misquote him, which I’ll not answer for “There is something in every man’s heart which, if we could know, would make us hate him,”—by the side of all this, and of much more that showed prodigious boldness and energy of intellect, what strange exaggeration; what mock nobility of sentiment; what inconceivable perversion of reasoning; what damnable demoralization! The true artist, whether in Romance or the Drama, will often necessarily interest us in a vicious or criminal character; but he does not the less leave clear to our reprobation the vice or the crime. But here I found myself called upon, not only to feel interest in the villain (which would be perfectly allowable,—I am very much interested in Macbeth and Lovelace), but to admire and sympathize with the villany itself. Nor was it the confusion of all wrong and right in individual character that shocked me the most, but rather the view of society altogether, painted in colors so hideous that, if true, instead of a revolution, it would draw down a deluge. It was the hatred, carefully instilled, of the poor against the rich; it was the war breathed between class and class; it was that envy of all superiorities which loves to show itself by allowing virtue only to a blouse, and asserting; that a man must be a rogue if he belong to that rank of society in which, from the very gifts of education, from the necessary associations of circumstance, roguery is the last thing probable or natural. It was all this, and things a thousand times worse, that set my head in a whirl, as hour after hour slipped on, and I still gazed, spell-bound, on these Chimeras and Typhons,—these symbols of the Destroying Principle. “Poor Vivian!” said I, as I rose at last; “if thou readest these books with pleasure or from habit, no wonder that thou seemest to me so obtuse about right and wrong, and to have a great cavity where thy brain should have the bump of ‘conscientiousness’ in full salience!”
Nevertheless, to do those demoniacs justice, I had got through time imperceptibly by their pestilent help; and I was startled to see, by my watch, how late it was. I had just resolved to leave a line fixing an appointment for the morrow, and so depart, when I heard Vivian’s knock,—a knock that had great character in it, haughty, impatient, irregular; not a neat, symmetrical, harmonious, unpretending knock, but a knock that seemed to set the whole house and street at defiance: it was a knock bullying—a knock ostentatious—a knock irritating and offensive—impiger and iracundus.
But the step that came up the stairs did not suit the knock; it was a step light, yet firm—slow, yet elastic.
The maid-servant who had opened the door had, no doubt, informed Vivian of my visit, for he did not seem surprised to see me; but he cast that hurried, suspicious look round the room which a man is apt to cast when he has left his papers about and finds some idler, on whose trustworthiness he by no means depends, seated in the midst of the unguarded secrets. The look was not flattering; but my conscience was so unreproachful that I laid all the blame upon the general suspiciousness of Vivian’s character.
“Three hours, at least, have I been here!” said I, maliciously.