Steps—one’s sense of hearing grows so quick in the Bushland!—steps, though as light as ever brushed the dew from the harebell! I crept under the shadow of the huge buttress mantled with ivy. A form comes from the little door at an angle in the ruins,—a woman’s form. Is it my mother? It is too tall, and the step is more bounding. It winds round the building, it turns to look back, and a sweet voice—a voice strange, yet familiar—calls, tender but chiding, to a truant that lags behind. Poor Juba! he is trailing his long ears on the ground; he is evidently much disturbed in his mind: now he stands still, his nose in the air. Poor Juba! I left thee so slim and so nimble,—
“Thy form, that was fashioned as light as a fay’s,
Has assumed a proportion more round;”
years have sobered thee strangely, and made thee obese and Primmins-like. They have taken too good care of thy creature-comforts, O sensual Mauritanian! Still, in that mystic intelligence we call instinct thou art chasing something that years have not swept from thy memory. Thou art deaf to thy lady’s voice, however tender and chiding. That’s right! Come near,—nearer,—my cousin Blanche; let me have a fair look at thee. Plague take the dog! he flies off from her; he has found the scent; he is making up to the buttress! Now—pounce—he is caught, whining ungallant discontent! Shall I not yet see the face? It is buried in Juba’s black curls! Kisses too! Wicked Blanche, to waste on a dumb animal what, I heartily hope, many a good Christian would be exceedingly glad of! Juba struggles in vain, and is borne off! I don’t think that those eyes can have taken the fierce turn, and Roland’s eagle nose can never go with that voice, which has the coo of the dove.
I leave my hiding-place and steal after the Voice and its owner. Where can she be going? Not far. She springs up the hill whereon the lords of the castle once administered justice,—that hill which commands the land far and wide, and from which can be last caught the glimpse of the westering sun. How gracefully still is that attitude of wistful repose! Into what delicate curves do form and drapery harmoniously flow! How softly distinct stands the lithe image against the purple hues of the sky! Then again comes the sweet voice, gay and carolling as a bird’s,—now in snatches of song, now in playful appeals to that dull four-footed friend. She is telling him something that must make the black ears stand on end, for I just catch the words, “He is coming,” and “home.”
I cannot see the sun set where I lurk in my ambush amidst the brake and the ruins, but I feel that the orb has passed from the landscape, in the fresher air of the twilight, in the deeper silence of eve. Lo! Hesper comes forth; at his signal, star after star, come the hosts,—
“Ch’ eran con lui, quando l’ amor divino,
Mosse da prima quelle cose belle!”
And the sweet voice is hushed.
Then slowly the watcher descends the hill on the opposite side; the form escapes from my view. What charm has gone from the twilight? See, again, where the step steals through the ruins and along the desolate court. Ah! deep and true heart, do I divine the remembrance that leads thee? I pass through the wicket, down the dell, skirt the laurels, and behold the face looking up to the stars,—the face which had nestled to my breast in the sorrow of parting years, long years ago; on the grave where we had sat,—I the boy, thou the infant,—there, O Blanche, is thy fair face, fairer than the fondest dream that had gladdened my exile, vouchsafed to my gaze!
“Blanche, my cousin! again, again,—soul with soul, amidst the dead! Look up, Blanche; it is I.”