Now, some months after that date, on a winter’s evening, we were all assembled in the hall, which was still our usual apartment, since its size permitted to each his own segregated and peculiar employment. A large screen fenced off from interruption my father’s erudite settlement; and quite out of sight, behind that impermeable barrier, he was now calmly winding up that eloquent peroration which will astonish the world whenever, by Heaven’s special mercy, the printer’s devils have done with “The History of Human Error.” In another nook my uncle had ensconced himself, stirring his coffee (in the cup my mother had presented to him so many years ago, and which had miraculously escaped all the ills the race of crockery is heir to), a volume of “Ivanhoe” in the other hand, and, despite the charm of the Northern Wizard, his eye not on the page. On the wall behind him hangs the picture of Sir Herbert de Caxton, the soldier-comrade of Sidney and Drake, and at the foot of the picture Roland has slung his son’s sword beside the letter that spoke of his death, which is framed and glazed,—sword and letter had become as the last, nor least honored, Penates of the hall; the son was grown an ancestor.
Not far from my uncle sat Mr. Squills, employed in mapping out phrenological divisions on a cast he had made from the skull of one of the Australian aborigines,—a ghastly present, which (in compliance with a yearly letter to that effect) I had brought him over, together with a stuffed “wombat” and a large bundle of sarsaparilla. (For the satisfaction of his patients, I may observe, parenthetically, that the skull and the “wombat”—that last is a creature between a miniature pig and a very small badger—were not precisely packed up with the sarsaparilla!) Farther on stood open, but idle, the new pianoforte, at which, before my father had given his preparatory hem, and sat down to the Great Book, Blanche and my mother had been trying hard to teach me to bear the third in the glee of “The Chough and the Crow to roost have gone,”—vain task, in spite of all flattering assurances that I have a very fine “bass” if I could but manage to humor it. Fortunately for the ears of the audience, that attempt is now abandoned. My mother is hard at work on her tapestry,—the last pattern in fashion, to wit, a rosy-cheeked young troubadour playing the lute under a salmon-colored balcony; the two little girls look gravely on, prematurely in love, I suspect, with the troubadour; and Blanche and I have stolen away into a corner, which, by some strange delusion, we consider out of sight, and in that corner is the cradle of the Neogilos. Indeed, it is not our fault that it is there,—Roland would have it so; and the baby is so good, too, he never cries,—at least so say Blanche and my mother; at all events, he does not cry tonight. And, indeed, that child is a wonder! He seems to know and respond to what was uppermost at our hearts when he was born; and yet more when Roland (contrary, I dare say, to all custom) permitted neither mother nor nurse nor creature of womankind to hold him at the baptismal font, but bent over the new Christian his own dark, high-featured face; reminding one of the eagle that hid the infant in its nest and watched over it with wings that had battled with the storm: and from that moment the child, who took the name of Herbert, seemed to recognize Roland better than his nurse or even mother,—seemed to know that in giving him that name we sought to give Roland his son once more! Never did the old man come near the infant but it smiled and crowed and stretched out its little arms; and then the mother and I would press each other’s hand secretly, and were not jealous. Well, then, Blanche and Pisistratus were seated near the cradle and talking in low whispers, when my father pushed aside the screen and said,—
“There, the work is done! And now it may go to press as soon as you will.”
Congratulations poured in; my father bore them with his usual equanimity; and standing on the hearth, his hand in his waistcoat, he said, musingly, “Among the last delusions of Human Error I have had to notice Rousseau’s phantasy of Perpetual Peace, and all the like pastoral dreams, which preceded the bloodiest wars that have convulsed the earth for more than a thousand years!”
“And to judge by the newspapers,” said I, “the same delusions are renewed again. Benevolent theorists go about prophesying peace as a positive certainty, deduced from that sibyl-book the ledger; and we are never again to buy cannons, provided only we can exchange cotton for corn.”
Mr. Squills (who, having almost wholly retired from general business, has, from want of something better to do, attended sundry “Demonstrations in the North,” since which he has talked much about the march of improvement, the spirit of the age, and “Us of the nineteenth century “).—“I heartily hope that those benevolent theorists are true prophets. I have found, in the course of my professional practice, that men go out of the world quite fast enough, without hacking them into pieces or blowing them up into the air. War is a great evil.”
Blanche (passing by Squills, and glancing towards Roland).—“Hush!”
Roland remains silent.
Mr. Caxton.—“War is a great evil; but evil is admitted by Providence into the agency of creation, physical and moral. The existence of evil has puzzled wiser heads than ours, Squills. But, no doubt, there is One above who has his reasons for it. The combative bump seems as common to the human skull as the philoprogenitive,—if it is in our organization, be sure it is not there without cause. Neither is it just to man, nor wisely submissive to the Disposer of all events, to suppose that war is wholly and wantonly produced by human crimes and follies,—that it conduces only to ill, and does not as often arise from the necessities interwoven in the framework of society, and speed the great ends of the human race, conformably with the designs of the Omniscient. Not one great war has ever desolated the earth, but has left behind it seeds that have ripened into blessings incalculable!”
Mr. Squills (with the groan of a dissentient at a “Demonstration”).—“Oh! oh! oh!”