CHAPTER LXII.
If thou criest after knowledge, and liftest up thy voice for understanding;
If thou seekest her as silver, and searchest for her as for hid treasures:
Then shalt thou understand the fear of the Lord, and find the knowledge of God.
—Proverbs ii. 3, 4, 5.
While Clarence was thus misjudged by one whose affections and conduct he, in turn, naturally misinterpreted; while Lady Flora was alternately struggling against and submitting to the fate which Lady Westborough saw approach with gladness, the father with indifference, and the bridegroom with a pride that partook less of rapture than revenge,—our unfortunate lover was endeavouring to glean, from Mordaunt’s conversation and example, somewhat of that philosophy so rare except in the theories of the civilized and the occasional practice of the barbarian, which, though it cannot give us a charm against misfortune, bestows, at least, upon us the energy to support it.
We have said already that when the first impression produced by Mordaunt’s apparent pride and coldness wore away, it required little penetration to discover the benevolence and warmth of his mind. But none ignorant of his original disposition, or the misfortunes of his life, could ever have pierced the depth of his self-sacrificing nature, or measured the height of his lofty and devoted virtue. Many men may perhaps be found who will give up to duty a cherished wish or even a darling vice; but few will ever renounce to it their rooted tastes, or the indulgence of those habits which have almost become by long use their happiness itself. Naturally melancholy and thoughtful, feeding the sensibilities of his heart upon fiction, and though addicted to the cultivation of reason rather than fancy, having perhaps more of the deeper and acuter characteristics of the poet than those calm and half-callous properties of nature supposed to belong to the metaphysician and the calculating moralist, Mordaunt was above all men fondly addicted to solitude, and inclined to contemplations less useful than profound. The untimely death of Isabel, whom he had loved with that love which is the vent of hoarded and passionate musings long nourished upon romance, and lavishing the wealth of a soul that overflows with secreted tenderness upon the first object that can bring reality to fiction,—that event had not only darkened melancholy into gloom, but had made loneliness still more dear to his habits by all the ties of memory and all the consecrations of regret. The companionless wanderings; the midnight closet; the thoughts which, as Hume said of his own, could not exist in the world, but were all busy with life in seclusion,—these were rendered sweeter than ever to a mind for which the ordinary objects of the world were now utterly loveless; and the musings of solitude had become, as it were, a rightful homage and offering to the dead. We may form, then, some idea of the extent to which, in Mordaunt’s character, principle predominated over inclination, and regard for others over the love of self, when we see him tearing his spirit from its beloved retreats and abstracted contemplations, and devoting it to duties from which its fastidious and refined characteristics were particularly calculated to revolt. When we have considered his attachment to the hermitage, we can appreciate the virtue which made him among the most active citizens in the great world; when we have considered the natural selfishness of grief, the pride of philosophy, the indolence of meditation, the eloquence of wealth, which says, “Rest, and toil not,” and the temptation within, which says, “Obey the voice,”—when we have considered these, we can perhaps do justice to the man who, sometimes on foot and in the coarsest attire, travelled from inn to inn and from hut to hut; who made human misery the object of his search and human happiness of his desire; who, breaking aside an aversion to rude contact, almost feminine in its extreme, voluntarily sought the meanest companions, and subjected himself to the coarsest intrusions; for whom the wail of affliction or the moan of hunger was as a summons which allowed neither hesitation nor appeal; who seemed possessed of a ubiquity for the purposes of good almost resembling that attributed to the wanderer in the magnificent fable of Melmoth for the temptations to evil; who, by a zeal and labour that brought to habit and inclination a thousand martyrdoms, made his life a very hour-glass, in which each sand was a good deed or a virtuous design.
Many plunge into public affairs, to which they have had a previous distaste, from the desire of losing the memory of a private affliction; but so far from wishing to heal the wounds of remembrance by the anodynes which society can afford, it was only in retirement that Mordaunt found the flowers from which balm could be distilled. Many are through vanity magnanimous, and benevolent from the selfishness of fame but so far from seeking applause where he bestowed favour, Mordaunt had sedulously shrouded himself in darkness and disguise. And by that increasing propensity to quiet, so often found among those addicted to lofty or abstruse contemplation, he had conquered the ambition of youth with the philosophy of a manhood that had forestalled the affections of age. Many, in short, have become great or good to the community by individual motives easily resolved into common and earthly elements of desire; but they who inquire diligently into human nature have not often the exalted happiness to record a character like Mordaunt’s, actuated purely by a systematic principle of love, which covered mankind, as heaven does earth, with an atmosphere of light extending to the remotest corners and penetrating the darkest recesses.
It was one of those violent and gusty evenings which give to an English autumn something rude, rather than gentle, in its characteristics, that Mordaunt and Clarence sat together,
“And sowed the hours with various seeds of talk.”
The young Isabel, the only living relic of the departed one, sat by her father’s side upon the floor; and though their discourse was far beyond the comprehension of her years, yet did she seem to listen with a quiet and absorbed attention. In truth, child as she was, she so loved, and almost worshipped, her father that the very tones of his voice had in them a charm which could always vibrate, as it were, to her heart; and hush her into silence; and that melancholy and deep though somewhat low voice, when it swelled or trembled with thought,—which in Mordaunt was feeling,—made her sad, she knew not why; and when she heard it, she would creep to his side, and put her little hand on his, and look up to him with eyes in whose tender and glistening blue the spirit of her mother seemed to float. She was serious and thoughtful and loving beyond the usual capacities of childhood; perhaps her solitary condition and habits of constant intercourse with one so grave as Mordaunt, and who always, when not absent on his excursions of charity, loved her to be with him, had given to her mind a precocity of feeling, and tinctured the simplicity of infancy with what ought to have been the colours of after years. She was not inclined to the sports of her age; she loved, rather, and above all else, to sit by Mordaunt’s side and silently pore over some books or feminine task, and to steal her eyes every now and then away from her employment, in order to watch his motions or provide for whatever her vigilant kindness of heart imagined he desired. And often, when he saw her fairy and lithe form hovering about him and attending on his wants, or her beautiful countenance glow with pleasure, when she fancied she supplied them, he almost believed that Isabel yet lived, though in another form, and that a love so intense and holy as hers had been, might transmigrate, but could not perish.
The young Isabel had displayed a passion for music so early that it almost seemed innate; and as, from the mild and wise education she received, her ardour had never been repelled on the one hand or overstrained on the other, so, though she had but just passed her seventh year, she had attained to a singular proficiency in the art,—an art that suited well with her lovely face and fond feelings and innocent heart; and it was almost heavenly, in the literal acceptation of the word, to hear her sweet though childish voice swell along the still pure airs of summer, and to see her angelic countenance all rapt and brilliant with the enthusiasm which her own melodies created.