It was one of the servants with a letter. Isabel saw a faint change (which none else could have seen) in Mordaunt's countenance, as he recognized the writing and broke the seal. When he had read the letter, his eyes fell upon the ground, and then, with a slight start, he lifted them up, and gazed long and eagerly around. Wistfully did he drink, as it were, into his heart the beautiful and expanded scene which lay stretched on either side; the noble avenue which his forefathers had planted as a shelter to their sons, and which now in its majestic growth and its waving boughs seemed to say, "Lo! ye are repaid!" and the never silent and silver stream, by which his boyhood had sat for hours, lulled by its music, and inhaling the fragrance of the reed and wild flower that decoyed the bee to its glossy banks; and the deer, to whose melancholy belling be had listened so often in the gray twilight with a rapt and dreaming ear; and the green fern waving on the gentle hill, from whose shade his young feet had startled the hare and the infant fawn; and far and faintly gleaming through the thick trees, which clasped it as with a girdle, the old Hall, so associated with vague hopes and musing dreams, and the dim legends of gone time, and the lofty prejudices of ancestral pride,—all seemed to sink within him, as he gazed, like the last looks of departing friends; and when Isabel, who had not dared to break a silence which partook so strongly of gloom, at length laid her hand upon his arm, and lifted her dark, deep, tender eyes to his, he said, as he drew her towards him, and a faint and sickly smile played upon his lips,—
"It is past, Isabel: henceforth we have no wealth but in each other.
The cause has been decided—and—and—we are beggars!"
CHAPTER XXIX.
We expose our life to a quotidian ague of frigid impertinences, which would make a wise man tremble to think of.—COWLEY.
We must suppose a lapse of four years from the date of those events which concluded the last chapter; and, to recompence the reader, who I know has a little penchant for "High Life," even in the last century, for having hitherto shown him human beings in a state of society not wholly artificial, I beg him to picture to himself a large room, brilliantly illuminated, and crowded "with the magnates of the land." Here, some in saltatory motion, some in sedentary rest, are dispersed various groups of young ladies and attendant swains, talking upon the subject of Lord Rochester's celebrated poem,—namely, "Nothing!"—and lounging around the doors, meditating probably upon the same subject, stand those unhappy victims of dancing daughters, denominated "Papas."
The music has ceased; the dancers have broken up; and there is a general but gentle sweep towards the refreshment-room. In the crowd— having just entered—there glided a young man of an air more distinguished and somewhat more joyous than the rest.
"How do you do, Mr. Linden?" said a tall and (though somewhat passe) very handsome woman, blazing with diamonds; "are you just come?"
And, here, by the way, I cannot resist pausing to observe that a friend of mine, meditating a novel, submitted a part of the manuscript to a friendly publisher. "Sir," said the bookseller, "your book is very clever, but it wants dialogue."
"Dialogue!" cried my friend: "you mistake; it is all dialogue."
"Ay, sir, but not what we call dialogue; we want a little conversation in fashionable life,—a little elegant chit-chat or so: and, as you must have seen so much of the beau monde, you could do it to the life: we must have something light and witty and entertaining."