Julia placed herself on a seat beside the Egyptian, and wonderingly gazed around an apartment whose elaborate and costly luxuries shamed even the ornate enrichment of her father's mansion; fearfully, too, she regarded the hieroglyphical inscriptions on the walls—the faces of the mysterious images, which at every corner gazed upon her—the tripod at a little distance—and, above all, the grave and remarkable countenance of Arbaces himself: a long white robe like a veil half covered his raven locks, and flowed to his feet: his face was made even more impressive by its present paleness; and his dark and penetrating eyes seemed to pierce the shelter of her veil, and explore the secrets of her vain and unfeminine soul.
'And what,' said his low, deep voice, 'brings thee, O maiden! to the house of the Eastern stranger?'
'His fame,' replied Julia.
'In what?' said he, with a strange and slight smile.
'Canst thou ask, O wise Arbaces? Is not thy knowledge the very gossip theme of Pompeii?'
'Some little lore have I indeed, treasured up,' replied Arbaces: 'but in what can such serious and sterile secrets benefit the ear of beauty?'
'Alas!' said Julia, a little cheered by the accustomed accents of adulation; 'does not sorrow fly to wisdom for relief, and they who love unrequitedly, are not they the chosen victims of grief?'
'Ha!' said Arbaces, 'can unrequited love be the lot of so fair a form, whose modelled proportions are visible even beneath the folds of thy graceful robe? Deign, O maiden! to lift thy veil, that I may see at least if the face correspond in loveliness with the form.'
Not unwilling, perhaps, to exhibit her charms, and thinking they were likely to interest the magician in her fate, Julia, after some slight hesitation, raised her veil, and revealed a beauty which, but for art, had been indeed attractive to the fixed gaze of the Egyptian.
'Thou comest to me for advice in unhappy love,' said he; 'well, turn that face on the ungrateful one: what other love-charm can I give thee?'