'Never mind those petty profits, my Burbo. The girl's voice will be wanted again soon at our rich friend's revels; and he pays, as thou knowest, pretty high for his nightingales' tongues.

'Oh, I hope not—I trust not,' cried Nydia, trembling. 'I will beg from sunrise to sunset, but send me not there.'

'And why?' asked the same voice.

'Because—because I am young, and delicately born, and the female companions I meet there are not fit associates for one who—who...'

'Is a slave in the house of Burbo,' returned the voice ironically, and with a coarse laugh.

The Thessalian put down the flowers, and, leaning her face on her hands, wept silently.

Meanwhile, Glaucus sought the house of the beautiful Neapolitan. He found Ione sitting amidst her attendants, who were at work around her. Her harp stood at her side, for Ione herself was unusually idle, perhaps unusually thoughtful, that day. He thought her even more beautiful by the morning light and in her simple robe, than amidst the blazing lamps, and decorated with the costly jewels of the previous night: not the less so from a certain paleness that overspread her transparent hues—not the less so from the blush that mounted over them when he approached. Accustomed to flatter, flattery died upon his lips when he addressed Ione. He felt it beneath her to utter the homage which every look conveyed. They spoke of Greece; this was a theme on which Ione loved rather to listen than to converse: it was a theme on which the Greek could have been eloquent for ever. He described to her the silver olive groves that yet clad the banks of Ilyssus, and the temples, already despoiled of half their glories—but how beautiful in decay! He looked back on the melancholy city of Harmodius the free, and Pericles the magnificent, from the height of that distant memory, which mellowed into one hazy light all the ruder and darker shades. He had seen the land of poetry chiefly in the poetical age of early youth; and the associations of patriotism were blended with those of the flush and spring of life. And Ione listened to him, absorbed and mute; dearer were those accents, and those descriptions, than all the prodigal adulation of her numberless adorers. Was it a sin to love her countryman? she loved Athens in him—the gods of her race, the land of her dreams, spoke to her in his voice! From that time they daily saw each other. At the cool of the evening they made excursions on the placid sea. By night they met again in Ione's porticoes and halls. Their love was sudden, but it was strong; it filled all the sources of their life. Heart—brain—sense—imagination, all were its ministers and priests. As you take some obstacle from two objects that have a mutual attraction, they met, and united at once; their wonder was, that they had lived separate so long. And it was natural that they should so love. Young, beautiful, and gifted—of the same birth, and the same soul—there was poetry in their very union. They imagined the heavens smiled upon their affection. As the persecuted seek refuge at the shrine, so they recognized in the altar of their love an asylum from the sorrows of earth; they covered it with flowers—they knew not of the serpents that lay coiled behind.

One evening, the fifth after their first meeting at Pompeii, Glaucus and Ione, with a small party of chosen friends, were returning from an excursion round the bay; their vessel skimmed lightly over the twilight waters, whose lucid mirror was only broken by the dripping oars. As the rest of the party conversed gaily with each other, Glaucus lay at the feet of Ione, and he would have looked up in her face, but he did not dare. Ione broke the pause between them.

'My poor brother,' said she, sighing, 'how once he would have enjoyed this hour!'

'Your brother!' said Glaucus; 'I have not seen him. Occupied with you, I have thought of nothing else, or I should have asked if that was not your brother for whose companionship you left me at the Temple of Minerva, in Neapolis?'