“Does not your Grace,” said Montagu, recovering from the surprise into which one part of Gloucester’s address had thrown him—“does not your Grace—so skilled in lance and horsemanship—preside at the lists?”
“Montagu, I love your brother well enough to displease my king. The great earl shall not say, at least, that Richard Plantagenet in his absence forgot the reverence due to loyalty and merit. Tell him that; and if I seem (unlike Clarence) to forbear to confront the queen and her kindred, it is because you should make no enemies,—not the less for that should princes forget no friends.”
Richard said this with a tone of deep feeling, and, folding his arms within his furred surcoat, walked slowly on to a small postern admitting to the river; but there, pausing by a buttress which concealed him till Montagu had left the yard, instead of descending to his barge, he turned back into the royal garden. Here several of the court of both sexes were assembled, conferring on the event of the day. Richard halted at a distance, and contemplated their gay dresses and animated countenances with something between melancholy and scorn upon his young brow. One of the most remarkable social characteristics of the middle ages is the prematurity at which the great arrived at manhood, shared in its passions, and indulged its ambitions. Among the numerous instances in our own and other countries that might be selected from history, few are more striking than that of this Duke of Gloucester, great in camp and in council at an age when nowadays a youth is scarcely trusted to the discipline of a college. The whole of his portentous career was closed, indeed, before the public life of modern ambition usually commences. Little could those accustomed to see on our stage “the elderly ruffian” [Sharon Turner] our actors represent, imagine that at the opening of Shakspeare’s play of “Richard the Third” the hero was but in his nineteenth year; but at the still more juvenile age in which he appears in this our record, Richard of Gloucester was older in intellect, and almost in experience, than many a wise man at the date of thirty-three,—the fatal age when his sun set forever on the field of Bosworth!
The young prince, then, eyed the gaudy, fluttering, babbling assemblage before him with mingled melancholy and scorn. Not that he felt, with the acuteness which belongs to modern sentiment, his bodily defects amidst that circle of the stately and the fair, for they were not of a nature to weaken his arm in war or lessen his persuasive influences in peace. But it was rather that sadness which so often comes over an active and ambitious intellect in early youth, when it pauses to ask, in sorrow and disdain, what its plots and counterplots, its restlessness and strife, are really worth. The scene before him was of pleasure,—but in pleasure neither the youth nor the manhood of Richard III. was ever pleased; though not absolutely of the rigid austerity of Amadis or our Saxon Edward, he was comparatively free from the licentiousness of his times. His passions were too large for frivolous excitements. Already the Italian, or, as it is falsely called, the Machiavelian policy, was pervading the intellect of Europe, and the effects of its ruthless, grand, and deliberate statecraft are visible from the accession of Edward IV. till the close of Elizabeth’s reign. With this policy, which reconciled itself to crime as a necessity of wisdom, was often blended a refinement of character which disdained vulgar vices. Not skilled alone in those knightly accomplishments which induced Caxton, with propriety, to dedicate to Richard “The Book of the Order of Chivalry,” the Duke of Gloucester’s more peaceful amusements were borrowed from severer Graces than those which presided over the tastes of his royal brothers. He loved, even to passion, the Arts, Music,—especially of the more Doric and warlike kind,—Painting and Architecture; he was a reader of books, as of men,—the books that become princes,—and hence that superior knowledge of the principles of law and of commerce which his brief reign evinced. More like an Italian in all things than the careless Norman or the simple Saxon, Machiavel might have made of his character a companion, though a contrast to that of Castruccio Castrucani.
The crowd murmured and rustled at the distance, and still with folded arms Richard gazed aloof, when a lady, entering the garden from the palace, passed by him so hastily that she brushed his surcoat, and, turning round in surprise, made a low reverence, as she exclaimed, “Prince Richard! and alone amidst so many!”
“Lady,” said the duke, “it was a sudden hope that brought me into this garden,—and that was the hope to see your fair face shining above the rest.”
“Your Highness jests,” returned the lady, though her superb countenance and haughty carriage evinced no opinion of herself so humble as her words would imply.
“My Lady of Bonville,” said the young duke, laying his hand on her arm, “mirth is not in my thoughts at this hour.”
“I believe your Highness; for the Lord Richard Plantagenet is not one of the Woodvilles. The mirth is theirs to-day.”
“Let who will have mirth,—it is the breath of a moment. Mirth cannot tarnish glory,—the mirror in which the gods are glassed.”