The fame of Friar Bungey had travelled much farther than the repute of Adam Warner: it was known in the distant provinces: and many a northern peasant grew pale as he related to his gaping listeners the tales he had heard of the Duchess Jacquetta’s dread magician.
And yet, though the friar was an atrocious knave and a ludicrous impostor, on the whole he was by no means unpopular, especially in the metropolis, for he was naturally a jolly, social fellow; he often ventured boldly forth into the different hostelries and reunions of the populace, and enjoyed the admiration he there excited, and pocketed the groats he there collected. He had no pride,—none in the least, this Friar Bungey!—and was as affable as a magician could be to the meanest mechanic who crossed his broad horn palm. A vulgar man is never unpopular with the vulgar. Moreover, the friar, who was a very cunning person, wished to keep well with the mob: he was fond of his own impudent, cheating, burly carcass, and had the prudence to foresee that a time might come when his royal patrons might forsake him, and a mob might be a terrible monster to meet in his path; therefore he always affected to love the poor, often told their fortunes gratis, now and then gave them something to drink, and was esteemed a man exceedingly good-natured, because he did not always have the devil at his back.
Now Friar Bungey had naturally enough evinced from the first a great distaste and jealousy of Adam Warner; but occasionally profiting by the science of the latter, he suffered his resentment to sleep latent till it was roused into fury by learning the express favour shown to Adam by the king, and the marvellous results expected from his contrivance. His envy, then, forbade all tolerance and mercy; the world was not large enough to contain two such giants,—Bungey and Warner, the genius and the quack. To the best of our experience, the quacks have the same creed to our own day. He vowed deep vengeance upon his associate, and spared no arts to foment the popular hatred against him. Friar Bungey would have been a great critic in our day!
But besides his jealousy, the fat friar had another motive for desiring poor Adam’s destruction; he coveted his model! True, he despised the model, he jeered the model, he abhorred the model; but, nevertheless, for the model every string in his bowels fondly yearned. He believed that if that model were once repaired, and in his possession, he could do—what he knew not, but certainly all that was wanting to complete his glory, and to bubble the public.
Unconscious of all that was at work against him, Adam threw his whole heart and soul into his labour; and happy in his happiness, Sibyll once more smiled gratefully upon Hastings, from whom the rapture came.
CHAPTER VII. A LOVE SCENE.
More than ever chafed against Katherine, Hastings surrendered himself without reserve to the charm he found in the society of Sibyll. Her confidence being again restored, again her mind showed itself to advantage, and the more because her pride was further roused to assert the equality with rank and gold which she took from nature and from God.
It so often happens that the first love of woman is accompanied with a bashful timidity, which overcomes the effort, while it increases the desire, to shine, that the union of love and timidity has been called inseparable, in the hackneyed language of every love-tale. But this is no invariable rule, as Shakspeare has shown us in the artless Miranda, in the eloquent Juliet, in the frank and healthful Rosalind;—and the love of Sibyll was no common girl’s spring-fever of sighs and blushes. It lay in the mind, the imagination, the intelligence, as well as in the heart and fancy. It was a breeze that stirred from the modest leaves of the rose all their diviner odour. It was impossible but what this strong, fresh young nature—with its free gayety when happy, its earnest pathos when sad, its various faculties of judgment and sentiment, and covert play of innocent wit—should not contrast forcibly, in the mind of a man who had the want to be amused and interested, with the cold pride of Katherine, the dull atmosphere in which her stiff, unbending virtue breathed unintellectual air, and still more with the dressed puppets, with painted cheeks and barren talk, who filled up the common world, under the name of women.
His feelings for Sibyll, therefore, took a more grave and respectful colour, and his attentions, if gallant ever, were those of a man wooing one whom he would make his wife, and studying the qualities to which he was disposed to intrust his happiness; and so pure was Sibyll’s affection, that she could have been contented to have lived forever thus,—have seen and heard him daily, have talked but the words of friendship though with the thoughts of love; for some passions refine themselves through the very fire of the imagination into which the senses are absorbed, and by the ideal purification elevated up to spirit. Rapt in the exquisite happiness she now enjoyed, Sibyll perceived not, or, if perceiving, scarcely heeded; that the admirers, who had before fluttered round her, gradually dropped off; that the ladies of the court, the damsels who shared her light duties, grew distant and silent at her approach; that strange looks were bent on her; that sometimes when she and Hastings were seen together, the stern frowned and the godly crossed themselves.