The Lady Anne sat a while, sorrowful and musing, and then, before yon crucifix, the Lady Anne knelt in prayer. Sir Marmaduke Nevile descends to the court below, and some three or four busy, curious gentlemen, not yet a-bed, seize him by the arm, and pray him to say what storm is in the wind.

The night deepened still. The wine is drained in King Edward’s goblet; King Edward has left his chamber; and Sibyll, entreating her father, but in vain, to suspend his toil, has kissed the damps from his brow, and is about to retire to her neighbouring room. She has turned to the threshold, when, hark! a faint—a distant cry, a woman’s shriek, the noise of a clapping door! The voice—it is the voice of Anne! Sibyll passed the threshold, she is in the corridor; the winter moon shines through the open arches, the air is white and cold with frost. Suddenly the door at the farther end is thrown wide open, a form rushes into the corridor, it passes Sibyll, halts, turns round. “Oh, Sibyll!” cried the Lady Anne, in a voice wild with horror, “save me—aid—help! Merciful Heaven, the king!”

Instinctively, wonderingly, tremblingly, Sibyll drew Anne into the chamber she had just quitted, and as they gained its shelter, as Anne sank upon the floor, the gleam of cloth-of-gold flashed through the dim atmosphere, and Edward, yet in the royal robe in which he had dazzled all the eyes at his kingly feast, stood within the chamber. His countenance was agitated with passion, and its clear hues flushed red with wine. At his entrance Anne sprang from the floor, and rushed to Warner, who, in dumb bewilderment, had suspended his task, and stood before the Eureka, from which steamed and rushed the dark, rapid smoke, while round and round, labouring and groaning, rolled its fairy wheels. [The gentle reader will doubtless bear in mind that Master Warner’s complicated model had but little resemblance to the models of the steam-engine in our own day, and that it was usually connected with other contrivances, for the better display of the principle it was intended to illustrate.]

“Sir,” cried Anne, clinging to him convulsively, “you are a father; by your child’s soul, protect Lord Warwick’s daughter!”

Roused from his abstraction by this appeal, the poor scholar wound his arm round the form thus clinging to him, and raising his head with dignity, replied, “Thy name, youth, and sex protect thee!”

“Unhand that lady, vile sorcerer,” exclaimed the king, “I am her protector. Come, Anne, sweet Anne, fair lady, thou mistakest,—come!” he whispered. “Give not to these low natures matter for guesses that do but shame thee. Let thy king and cousin lead thee back to thy sweet rest.”

He sought, though gently, to loosen the arms that wound themselves round the old man; but Anne, not heeding, not listening, distracted by a terror that seemed to shake her whole frame and to threaten her very reason, continued to cry out loudly upon her father’s name,—her great father, wakeful, then, for the baffled ravisher’s tottering throne!

Edward had still sufficient possession of his reason to be alarmed lest some loiterer or sentry in the outer court might hear the cries which his attempts to soothe but the more provoked. Grinding his teeth, and losing patience, he said to Adam, “Thou knowest me, friend,—I am thy king. Since the Lady Anne, in her bewilderment, prefers thine aid to mine, help to bear her back to her apartment; and thou, young mistress, lend thine arm. This wizard’s den is no fit chamber for our high-born guest.”

“No, no; drive me not hence, Master Warner—that man—that king—give me not up to his—his—”

“Beware!” exclaimed the king.