“Thy pardon, dear boy,” said Edward, kindly; “yet little needest thou our broad backs and strong sinews, for thou hast a tongue to charm women and a wit to command men.”
Richard bowed his face, little less beautiful than his brother’s, though wholly different from it in feature, for Edward had the long oval countenance, the fair hair, the rich colouring, and the large outline of his mother, the Rose of Raby. Richard, on the contrary, had the short face, the dark brown locks, and the pale olive complexion of his father, whom he alone of the royal brothers strikingly resembled. [Pol. Virg. 544.]
The cheeks, too, were somewhat sunken, and already, though scarcely past childhood, about his lips were seen the lines of thoughtful manhood. But then those small features, delicately aquiline, were so regular; that dark eye was so deep, so fathomless in its bright, musing intelligence; that quivering lip was at once so beautifully formed and so expressive of intellectual subtlety and haughty will; and that pale forehead was so massive, high, and majestic,—that when, at a later period, the Scottish prelate [Archibald Quhitlaw.—“Faciem tuam summo imperio principatu dignam inspicit, quam moralis et heroica, virtus illustrat,” etc.—We need scarcely observe that even a Scotchman would not have risked a public compliment to Richard’s face, if so inappropriate as to seem a sarcasm, especially as the orator immediately proceeds to notice the shortness of Richard’s stature,—a comment not likely to have been peculiarly acceptable in the Rous Roll, the portrait of Richard represents him as undersized, but compactly and strongly built, and without any sign of deformity, unless the inelegant defect of a short neck can be so called.] commended Richard’s “princely countenance,” the compliment was not one to be disputed, much less contemned. But now as he rose, obedient to a whisper from the duchess, and followed her to the window, while Edward appeared engaged in admiring the shape of his own long, upturned shoes, those defects in his shape which the popular hatred and the rise of the House of Tudor exaggerated into the absolute deformity that the unexamining ignorance of modern days and Shakspeare’s fiery tragedy have fixed into established caricature, were sufficiently apparent. Deformed or hunchbacked we need scarcely say he was not, for no man so disfigured could have possessed that great personal strength which he invariably exhibited in battle, despite the comparative slightness of his frame. He was considerably below the ordinary height, which the great stature of his brother rendered yet more disadvantageous by contrast; but his lower limbs were strong-jointed and muscular. Though the back was not curved, yet one shoulder was slightly higher than the other, which was the more observable from the evident pains that he took to disguise it, and the gorgeous splendour, savouring of personal coxcombry—from which no Plantagenet was ever free,—that he exhibited in his dress. And as, in a warlike age, the physical conformation of men is always critically regarded, so this defect and that of his low stature were not so much redeemed as they would be in our day by the beauty and intelligence of his face. Added to this, his neck was short, and a habit of bending his head on his bosom (arising either from thought, or the affectation of humility, which was a part of his character) made it seem shorter still. But this peculiarity, while taking from the grace, added to the strength of his frame, which, spare, sinewy, and compact, showed to an observer that power of endurance, that combination of solid stubbornness and active energy, which, at the battle of Barnet, made him no less formidable to encounter than the ruthless sword of the mighty Edward.
“So, prince,” said the duchess, “this new gentleman of the king’s is, it seems, a Nevile. When will Edward’s high spirit cast off that hateful yoke?”
Richard sighed and shook his head. The duchess, encouraged by these signs of sympathy, continued,—
“Your brother Clarence, Prince Richard, despises us, to cringe to the proud earl. But you—”
“I am not suitor to the Lady Isabel; Clarence is overlavish, and Isabel has a fair face and a queenly dowry.”
“May I perish,” said the duchess, “ere Warwick’s daughter wears the baudekin of royalty, and sits in as high a state as the queen’s mother! Prince, I would fain confer with thee; we have a project to abase and banish this hateful lord. If you but join us, success is sure; the Count of Charolois—”
“Dear lady,” interrupted Richard, with an air of profound humility, “tell me nothing of plot or project; my years are too few for such high and subtle policy; and the Lord Warwick hath been a leal friend to our House of York.”
The duchess bit her lip—“Yet I have heard you tell Edward that a subject can be too powerful?”