“No, indeed!” exclaimed Isaura, somewhat frightened at the idea.
“But I hope,” said Savarin, “that the Signorina may become a contributor too important for an editor to offend by insulting her favourites, Tasso included. Rameau and I came hither to entreat her influence with her intimate and illustrious friend, Madame de Grantmesnil, to insure the success of our undertaking by sanctioning the announcement of her name as a contributor.”
“Upon social questions,—such as the laws of marriage?” said Graham, with a sarcastic smile, which concealed the quiver of his lip and the pain in his voice.
“Nay,” answered Savarin, “our journal will be too sportive, I hope, for matters so profound. We would rather have Madame de Grantmesnil’s aid in some short roman, which will charm the fancy of all and offend the opinions of none. But since I came into the room, I care less for the Signorina’s influence with the great authoress,” and he glanced significantly at the manuscript.
“How so?” asked Graham, his eye following the glance.
“If the writer of this manuscript will conclude what she has begun, we shall be independent of Madame de Grantmesnil.”
“Fie!” cried Isaura, impulsively, her face and neck bathed in blushes,—“fie! such words are a mockery.”
Graham gazed at her intently, and then turned his eyes on Savarin. He guessed aright the truth. “Mademoiselle then is an author? In the style of her friend Madame de Grantmesnil?”
“Bah!” said Savarin, “I should indeed be guilty of mockery if I paid the Signorina so false a compliment as to say that in a first effort she attained to the style of one of the most finished sovereigns of language that has ever swayed the literature of France. When I say, ‘Give us this tale completed, and I shall be consoled if the journal does not gain the aid of Madame de Grantmesnil,’ I mean that in these pages there is that nameless charm of freshness and novelty which compensates for many faults never committed by a practised pen like Madame de Grantmesnil’s. My dear young lady, go on with this story,—finish it; when finished, do not disdain any suggestions I may offer in the way of correction,—and I will venture to predict to you so brilliant a career as author, that you will not regret should you resign for that career the bravoes you could command as actress and singer.”
The Englishman pressed his hand convulsively to his heart, as if smitten by a sudden spasm. But as his eyes rested on Isaura’s face, which had become radiant with the enthusiastic delight of genius when the path it would select opens before it as if by a flash from heaven, whatever of jealous irritation, whatever of selfish pain he might before have felt; was gone, merged in a sentiment of unutterable sadness and compassion. Practical man as he was, he knew so well all the dangers, all the snares, all the sorrows, all the scandals menacing name and fame, that in the world of Paris must beset the fatherless girl who, not less in authorship than on the stage, leaves the safeguard of private life forever behind her, who becomes a prey to the tongues of the public. At Paris, how slender is the line that divides the authoress from the Bohemienne! He sank into his chair silently, and passed his hand over his eyes, as if to shut out a vision of the future.