“No, indeed,—no; but will you dine with me quietly today, and allow me to present to you my wife and two children, born since we parted? I say to-day, for to-morrow I return to my Prefecture.”

“I am infinitely obliged by your invitation, but to-day I dine with the Comte de Beauvilliers to meet some of the Corps Diplomatique. I must make good my place in the salons, since you so clearly show me that I have no chance of one in the Legislature—unless—”

“Unless what?”

“Unless there happen one of those revolutions in which the scum comes uppermost.”

“No fear of that. The subterranean barracks and railway have ended forever the rise of the scum, the reign of the canaille and its barricades.”

“Adieu, my dear Hennequin. My respectful hommages a Madame.”

After that day the writing of Pierre Firmin in “Le Sens Commun,” though still keeping within the pale of the law, became more decidedly hostile to the Imperial system, still without committing their author to any definite programme of the sort of government that should succeed it.

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CHAPTER IV.

The weeks glided on. Isaura’s manuscript bad passed into print; it came out in the French fashion of feuilletons,—a small detachment at a time. A previous flourish of trumpets by Savarin and the clique at his command insured it attention, if not from the general public, at least from critical and literary coteries. Before the fourth instalment appeared it had outgrown the patronage of the coteries; it seized hold of the public. It was not in the last school in fashion; incidents were not crowded and violent,—they were few and simple, rather appertaining to an elder school, in which poetry of sentiment and grace of diction prevailed. That very resemblance to old favourites gave it the attraction of novelty. In a word, it excited a pleased admiration, and great curiosity was felt as to the authorship. When it oozed out that it was by the young lady whose future success in the musical world had been so sanguinely predicted by all who had heard her sing, the interest wonderfully increased. Petitions to be introduced to her acquaintance were showered upon Savarin. Before she scarcely realized her dawning fame, she was drawn from her quiet home and retired habits; she was fetee and courted in the literary circle of which Savarin was a chief. That circle touched, on one side, Bohemia; on the other, that realm of politer fashion which, in every intellectual metropolis, but especially in Paris, seeks to gain borrowed light from luminaries in art and letters. But the very admiration she obtained somewhat depressed, somewhat troubled her; after all, it did not differ from that which was at her command as a singer.