“Yes, I know at least that the working class are extremely discontented; the numerous strikes last month were not on a mere question of wages—they were against the existing forms of society. And the articles by Pierre Firmin which brought me into collision with the Government, seemed to differ from what you now say. They approve those strikes; they appeared to sympathise with the revolutionary meetings at Belleville and Montmartre.”
“Of course—we use coarse tools for destroying; we cast them aside for finer ones when we want to reconstruct.
“I attended one of those meetings last night. See, I have a pass for all such assemblies, signed by some dolt who cannot even spell the name he assumes—‘Pom-de-Tair.’ A commissary of police sat yawning at the end of the orchestra, his secretary by his side, while the orators stammer out fragments of would-be thunderbolts. Commissary of police yawns more wearily than before, secretary disdains to use his pen, seizes his penknife and pares his nails. Up rises a wild-haired, weak-limbed silhouette of a man, and affecting a solemnity of mien which might have become the virtuous Guizot, moves this resolution: ‘The French people condemns Charles Louis Napoleon the Third to the penalty of perpetual hard labour.’ Then up rises the commissary of police and says quietly, ‘I declare this meeting at an end.’
“Sensation among the audience—they gesticulate—they screech—they bellow—the commissary puts on his greatcoat—the secretary gives a last touch to his nails and pockets his penknife—the audience disperses—the silhouette of a man effaces itself—all is over.”
“You describe the scene most wittily,” said Rameau, laughing, but the laugh was constrained. A would-be cynic himself, there was a something grave and earnest in the real cynic that awed him.
“What conclusion do you draw from such a scene, cher poete” asked De Mauleon, fixing his keen quiet eyes on Rameau.
“What conclusion? Well, that—that—”
“Yes, continue.”
“That the audience were sadly degenerated from the time when Mirabeau said to a Master of the Ceremonies, ‘We are here by the power of the French people, and nothing but the point of the bayonet shall expel us.’”
“Spoken like a poet, a French poet. I suppose you admire M. Victor Hugo. Conceding that he would have employed a more sounding phraseology, comprising more absolute ignorance of men, times, and manners in unintelligible metaphor and melodramatic braggadocio, your answer might have been his; but pardon me if I add, it would not be that of Common Sense.”