The Contessa herself was a woman who had somewhat passed her thirtieth year,—not strikingly handsome, but exquisitely pretty. “There is,” said a great French writer, “only one way in which a woman can be handsome, but a hundred thousand ways in which she can be pretty;” and it would be impossible to reckon up the number of ways in which Adeline di Rimini carried off the prize in prettiness.
Yet it would be unjust to the personal attractions of the Contessa to class them all under the word “prettiness.” When regarded more attentively, there was an expression in her countenance that might almost be called divine, it spoke so unmistakably of a sweet nature and an untroubled soul. An English poet once described her by repeating the old lines,
“Her face is like the milky way I’ the sky,
—A meeting of gentle lights without a name.”
She was not alone; an elderly lady sat on an armchair by the fire, engaged in knitting; and a man, also elderly, and whose dress proclaimed him an ecclesiastic, sat at the opposite corner, with a large Angora cat on his lap.
“I present to you, Madame,” said Raoul, “my new-found cousin, the seventeenth Marquis de Rochebriant, whom I am proud to consider on the male side the head of our house, representing its eldest branch. Welcome him for my sake,—in future he will be welcome for his own.”
The Contessa replied very graciously to this introduction, and made room for Alain on the divan from which she had risen.
The old lady looked up from her knitting; the ecclesiastic removed the cat from his lap. Said the old lady, “I announce myself to M. le Marquis. I knew his mother well enough to be invited to his christening; otherwise I have no pretension to the acquaintance of a cavalier si beau, being old, rather deaf, very stupid, exceedingly poor—”
“And,” interrupted Raoul, “the woman in all Paris the most adored for bonte, and consulted for savoir vivre by the young cavaliers whom she deigns to receive. Alain, I present you to Madame de Maury, the widow of a distinguished author and academician, and the daughter of the brave Henri de Gerval, who fought for the good cause in La Vendee. I present you also to the Abbe Vertpre, who has passed his life in the vain endeavour to make other men as good as himself.”
“Base flatterer!” said the Abbe, pinching Raoul’s ear with one hand, while he extended the other to Alain. “Do not let your cousin frighten you from knowing me, Monsieur le Marquis; when he was my pupil, he so convinced me of the incorrigibility of perverse human nature, that I now chiefly address myself to the moral improvement of the brute creation. Ask the Contessa if I have not achieved a beau succes with her Angora cat. Three months ago that creature had the two worst propensities of man,—he was at once savage and mean; he bit, he stole. Does he ever bite now? No. Does he ever steal? No. Why? I have awakened in that cat the dormant conscience, and that done, the conscience regulates his actions; once made aware of the difference between wrong and right, the cat maintains it unswervingly, as if it were a law of nature. But if, with prodigious labour, one does awaken conscience in a human sinner, it has no steady effect on his conduct,—he continues to sin all the same. Mankind at Paris, Monsieur le Marquis, is divided between two classes,-one bites and the other steals. Shun both; devote yourself to cats.”
The Abbe delivered this oration with a gravity of mien and tone which made it difficult to guess whether he spoke in sport or in earnest, in simple playfulness or with latent sarcasm.