The door opened; Waife looked up in surprise, sweeping his hand over the coins, and restoring them to his pocket. The Mayor entered.
As Mr. Hartopp walked slowly up the room, his eye fixed Waife’s; and that eye was so searching, though so mild, that the Comedian felt himself change colour. His gay spirits fell,—falling lower and lower, the nearer the Mayor’s step came to him; and when Hartopp, without speaking, took his hand,—not in compliment, not in congratulation, but pressed it as if in deep compassion, still looking him full in the face, with those pitying, penetrating eyes, the actor experienced a sort of shock as if he were read through, despite all his histrionic disguises, read through to his heart’s core; and, as silent as his visitor, sank back in his chair,—abashed, disconcerted.
MR. HARTOPP.—“Poor man!”
THE COMEDIAN (rousing himself with an effort, but still confused).—“Down, Sir Isaac, down! This visit, Mr. Mayor, is an honour which may well take a dog by surprise! Forgive him!”
MR. HARTOPP (patting Sir Isaac, who was inquisitively sniffing his garments, and drawing a chair close to the actor, who thereon edged his own chair a little away,—in vain; for, on that movement, Mr. Hartopp advanced in proportion).—“Your dog is a very admirable and clever animal; but in the exhibition of a learned dog there is something which tends to sadden one. By what privations has he been forced out of his natural ways? By what fastings and severe usage have his instincts been distorted into tricks? Hunger is a stern teacher, Mr. Chapman; and to those whom it teaches, we cannot always give praise unmixed with pity.”
THE COMEDIAN (ill at ease under this allegorical tone, and surprised at a quicker intelligence in Mr. Hartopp than he had given that person credit for).—“You speak like an oracle, Mr. Mayor; but that dog, at least, has been mildly educated and kindly used. Inborn genius, sir, will have its vent. Hum! a most intelligent audience honoured us to-night; and our best thanks are due to you.”
MR. HARTOPP.—“Mr. Chapman, let us be frank with each other. I am not a clever man; perhaps a dull one. If I had set up for a clever man, I should not be where I am now. Hush! no compliments. But my life has brought me into frequent contact with those who suffer; and the dullest of us gain a certain sharpness in the matters to which our observation is habitually drawn. You took me in at first, it is true. I thought you were a philanthropical humourist, who might have crotchets, as many benevolent men, with time on their hands and money in their pockets, are apt to form. But when it came to the begging hat (I ask your pardon; don’t let me offend you), when it came to the begging hat, I recognized the man who wants philanthropy from others, and whose crotchets are to be regarded in a professional point of view. Sir, I have come here alone, because I alone perhaps see the case as it really is. Will you confide in me? you may do it safely. To be plain, who and what are you?”
THE COMEDIAN (evasively).—“What do you take me for, Mr. Mayor? What can I be other than an itinerant showman, who has had resort to a harmless stratagem in order to obtain an audience, and create a surprise that might cover the naked audacity of the ‘begging hat’!”
MR. HARTOPP (gravely).—“When a man of your ability and education is reduced to such stratagems, he must have committed some great faults. Pray Heaven it be no worse than faults!”
THE COMEDIAN (bitterly).—“That is always the way with the prosperous. Is a man unfortunate? They say, ‘Why don’t he help himself?’ Does he try to help himself? They say, ‘With so much ability, why does not he help himself better?’ Ability and education! Snares and springes, Mr. Mayor! Ability and education! the two worst mantraps that a poor fellow can put his foot into! Aha! Did not you say if you had set up to be clever, you would not be where you now are:’ A wise saying; I admire you for it. Well, well, I and my dog have amused your townsfolk; they have amply repaid us. We are public servants; according as we act in public—hiss us or applaud. Are we to submit to an inquisition into our private character? Are you to ask how many mutton bones has that dog stolen? how many cats has he worried? or how many shirts has the showman in his wallet? how many debts has he left behind him? what is his rent-roll on earth, and his account with Heaven? Go and put those questions to ministers, philosophers, generals, poets. When they have acknowledged your right to put them, come to me and the other dog.”