“I consent to that,” cried Vance, “though I am put aside like a Remorseless Baron. And, Lionello mio, if Frank Vance is a miser, so much the better for his niece.”
“But,” faltered Lionel.
“Oh, falter not. Look into those eyes; read that blush now. She looks coy, not reluctant. She bends before him—adorned as for love, by all her native graces. Air seems brightened by her bloom. No more the Outlaw-Child of Ignominy and Fraud, but the Starry Daughter of POETRY AND ART! Lo, where they glide away under the leafless, melancholy trees. Leafless and melancholy! No! Verdure and blossom and the smile of spring are upon every bough!”
“I suppose,” said Alban, “it will not now break Lionel’s heart to learn that not an hour before I left London, I heard from a friend at the Horse Guards that it has been resolved to substitute the regiment for Lionel’s; and it will be for some time yet, I suspect, that he must submit to be in gloriously happy. Come this way, George, a word in your ear.” And Alban, drawing his nephew aside, told him of Jasper’s state, and of Arabella’s request. “Not a word to-day on these mournful topics, to poor Willy. To-day let nothing add to his pain to have lost a grandchild, or dim his consolation in the happiness and security his Sophy gains in that loss. But to-morrow you will go and see the stricken-down sinner, and prepare the father for the worst. I made a point of seeing Dr. F. last night. He gives Jasper but a few weeks. He compares him to a mountain, not merely shattered by an earthquake, but burned out by its own inward fires.”
“A few weeks only,” sighed George. “Well, Time, that seems everything to man, has not even an existence in the sight of God. To that old man I owe the power of speech to argue, to exhort, and to comfort;—he was training me to kneel by the deathbed of his son!”
“You believe,” asked the Man of the World, “in the efficacy of a deathbed repentance, when a sinner has sinned till the power of sinning be gone?”
“I believe,” replied the Preacher, “that in health there is nothing so unsafe as trust in a deathbed repentance; I believe that on the deathbed, it cannot be unsafe to repent!”
Alban looked thoughtful, and George turned to rejoin Waife, to whom Vance was narrating the discovery of Sophy’s parentage; while Fairthorn, as he listened, drew his flute from his pocket, and began screwing it, impatient to vent in delicate music what he never could have set into words for his blundering, untunable tongue. The Colonel joins Darrell, and hastens to unfold more fully the story which Vance is reciting to Waife.
Brief as it can, be the explanation due to the reader. Vance’s sister had died in childbirth. The poor young poet, unfitted to cope with penury, his sensitive nature combined with a frame that could feebly resist the strain of exhausting emotions, disappointed in fame, despairing of fortune, dependent for bread on his wife’s boyish brother, and harassed by petty debts in a foreign land, had been fast pining away, even before an affliction to which all the rest seemed as nought. With that affliction he broke down at once, and died a few days after his wife, leaving an infant not a week old. A French female singer, of some repute in the theatres, and making a provincial tour, was lodging in the same house as the young couple. She had that compassionate heart which is more common than prudence or very strict principle with the tribes who desert the prosaic true world for the light sparkling false one. She had assisted the young couple, in their later days, with purse and kind offices; had been present at the birth of the infant—the death of the mother; and had promised Arthur Branthwaite that she would take care of his child, until she could safely convey it to his wife’s relations, while he wept to own that they, poor as himself, must regard such a charge as a burthen.
The singer wrote to apprise Mrs. Vance of the death of her daughter and son-in-law, and the birth of the infant whom she undertook shortly to send to England. But the babe, whom meanwhile she took to herself, got hold of her affections; with that yearning for children which makes so remarkable and almost uniform a characteristic of French women (if themselves childless) in the wandering Bohemian class that separates them from the ordinary household affections, never dead in the heart of woman till womanhood itself be dead, the singer clung to the orphan little one to whom she was for the moment rendering the cares of a mother. She could not bear to part with it; she resolved to adopt it as her own. The knowledge of Mrs. Vance’s circumstances—the idea that the orphan, to herself a blessing, would be an unwelcome encumbrance to its own relations—removed every scruple from a mind unaccustomed to suffer reflection to stand in the way of an impulse. She wrote word to Mrs. Vance that the child was dead. She trusted that her letter would suffice, without other evidence, to relations so poor, and who could have no suspicion of any interest to deceive them. Her trust was well founded. Mrs. Vance and the boy Frank, whose full confidence and gratitude had been already secured to their correspondent for her kind offices to the young parents, accepted, without a demur or a question, the news that the infant was no more. The singer moved on to the next town at which she was professionally engaged. The infant, hitherto brought up by hand, became ailing. The medical adviser called in recommended the natural food, and found, in a village close by, the nurse to whom a little time before Jasper Losely had consigned his own daughter. The latter died; the nurse then removed to Paris to reside with the singer, who had obtained a lucrative appointment at one of the metropolitan theatres. In less than two years the singer herself fell a victim to a prevailing epidemic. She had lived without thought of the morrow; her debts exceeded her means; her effects were sold. The nurse, who had meanwhile become a widow, came for advice and refuge to her sister, who was in the service of Gabrielle Desmarets. Gabrielle, being naturally appealed to, saw the infant, heard the story, looked into the statement which, by way of confession, the singer had drawn up, and signed, in a notary’s presence, before she died; looked into the letters from Mrs. Vance, and the schoolboy scrawls from Frank, both to the singer and to the child’s parents, which the actress had carefully preserved; convinced herself of the poverty and obscurity of the infant’s natural guardians and next of kin; and said to Jasper, who was just dissipating the fortune handed over to him as survivor of his wife and child: “There is what, if well-managed, may retain your hold on a rich father-in-law when all else has failed. You have but to say that this infant is his grandchild; the nurse we can easily bribe, or persuade to confirm the tale. I, whom he already knows as that respectable baroness, your Matilda’s friend, can give to the story some probable touches. The lone childless man must rejoice to think that a tie is left to him. The infant is exquisitely pretty; her face will plead for her. His heart will favour the idea too much to make him very rigorous in his investigations. Take the infant. Doubtless in your own country you can find some one to rear it at little or no expense, until the time come for appeal to your father-in-law when no other claim on his purse remains.”