“You did indeed, sir, thank you! And I don’t know why he refused you.” The young men exchanged compassionate glances.
Lionel then sought to make her talk of her past life, tell him more of Mrs. Crane. Who and what was she?
Sophy could not or would not tell. The remembrances were painful; she had evidently tried to forget them. And the people with whom Waife had placed her, and who had been kind?
The Misses Burton; and they kept a day-school, and taught Sophy to read, write, and cipher. They lived near London, in a lane opening on a great common, with a green rail before the house, and had a good many pupils, and kept a tortoise shell cat and a canary. Not much to enlighten her listener did Sophy impart here.
And now they neared that stately palace, rich in associations of storm and splendour,—of the grand Cardinal; the iron-clad Protector; Dutch William of the immortal memory, whom we tried so hard to like, and in spite of the great Whig historian, that Titian of English prose, can only frigidly respect. Hard task for us Britons to like a Dutchman who dethrones his father-in-law, and drinks schnaps! Prejudice certainly; but so it is. Harder still to like Dutch William’s unfilial Fran! Like Queen Mary! I could as soon like Queen Goneril! Romance flies from the prosperous phlegmatic AEneas; flies from his plump Lavinia, his “fidus Achates,” Bentinck; flies to follow the poor deserted fugitive Stuart, with all his sins upon his head. Kings have no rights divine, except when deposed and fallen; they are then invested with the awe that belongs to each solemn image of mortal vicissitude,—vicissitude that startles the Epicurean, “insanientis sapientiae consultus,” and strikes from his careless lyre the notes that attest a god! Some proud shadow chases another from the throne of Cyrus, and Horace hears in the thunder the rush of Diespiter, and identifies Providence with the Fortune that snatches off the diadem in her whirring swoop. But fronts discrowned take a new majesty to generous natures: in all sleek prosperity there is something commonplace; in all grand adversity, something royal.
The boat shot to the shore; the young people landed, and entered the arch of the desolate palace. They gazed on the great hall and the presence-chamber, and the long suite of rooms with faded portraits; Vance as an artist, Lionel as an enthusiastic, well-read boy, Sophy as a wondering, bewildered, ignorant child. And then they emerged into the noble garden, with its regal trees. Groups were there of well dressed persons. Vance heard himself called by name. He had forgotten the London world,—forgotten, amidst his midsummer ramblings, that the London season was still ablaze; and there, stragglers from the great focus, fine people, with languid tones and artificial jaded smiles, caught him in his wanderer’s dress, and walking side by side with the infant wonder of Mr. Rugge’s show, exquisitely neat indeed, but still in a coloured print, of a pattern familiar to his observant eye in the windows of many a shop lavish of tickets, and inviting you to come in by the assurance that it is “selling off.” The artist stopped, coloured, bowed, answered the listless questions put to him with shy haste: he then attempted to escape; they would not let him.
“You MUST come back and dine with us at the Star and Garter,” said Lady Selina Vipont. “A pleasant party,—you know most of them,—the Dudley Slowes, dear old Lady Frost, those pretty Ladies Prymme, Janet and Wilhelmina.”
“We can’t let you off,” said, sleepily, Mr. Crampe, a fashionable wit, who rarely made more than one bon mot in the twenty-four hours, and spent the rest of his time in a torpid state.
VANCE.—“Really you are too kind, but I am not even dressed for—”
LADY SELINA.—“So charmingly dressed-so picturesque! Besides, what matters? Every one knows who you are. Where on earth have you been?”