"Well met," said Darrell, the day after Alban had conveyed to him the comforting assurances which had taken one thorn from his side-dispersed one cloud in his evening sky. "Well met," said Darrell, encountering the Colonel a few paces from his own door. "Pray walk with me as far as the New Road. I have promised Lionel to visit the studio of an artist friend of his, in whom he chooses to find a Raffaele, and in whom I suppose, at the price of truth, I shall be urbanely compelled to compliment a dauber."
"Do you speak of Frank Vance?"
"The same."
"You could not visit a worthier man, nor compliment a more promising artist. Vance is one of the few who unite gusto and patience, fancy and brushwork. His female heads, in especial, are exquisite, though they are all, I confess, too much like one another. The man himself is a thoroughly fine fellow. He has been much made of in good society, and remains unspoiled. You will find his manner rather off-hand, the reverse of shy; partly, perhaps, because he has in himself the racy freshness and boldness which he gives to his colours; partly, perhaps, also, because he has in his art the self-esteem that patricians take from their pedigree, and shakes a duke by the hand to prevent the duke holding out to him a finger."
"Good," said Darrell, with his rare, manly laugh. "Being shy myself, I like men who meet one half-way. I see that we shall be at our ease with each other."
"And perhaps still more 'when I tell you that he is connected with an old Eton friend of ours, and deriving no great benefit from that connection; you remember poor Sidney Branthwaite?"
"To be sure. He and I were great friends at Eton somewhat in the same position of pride and poverty. Of all the boys in the school we two had the least pocket-money. Poor Branthwaite! I lost sight of him afterwards. He went into the Church, got only a curacy, and died young."
"And left a son, poorer than himself, who married Frank Vance's sister."
"You don't say so. The Branthwaites were of good old family; what is Mr.
Vance's?"
"Respectable enough. Vance's father was one of those clever men who have too many strings to their bow. He, too, was a painter; but he was also a man of letters, in a sort of a way—had a share in a journal, in which he wrote Criticisms on the Fine Arts. A musical composer, too.