In the second chapter, the author describes his landing in Ithaca, and arrival at the rock Korax and the fountain Arethusa, as he designates it with sufficient positiveness. — This rock, now known by the name of Korax, or Koraka Petra, he contends to be the same with that which Homer mentions as contiguous to the habitation of Eumæus, the faithful swineherd of Ulysses. — We shall take the liberty of adding to our extracts from Mr. Gell some of the passages in Homer to which he

refers

only, conceiving this to be the fairest method of exhibiting the strength or the weakness of his argument.

"Ulysses," he observes, "came to the extremity of the isle to visit Eumæus, and that extremity was the most southern; for Telemachus, coming from Pylos, touched at the first south-eastern part of Ithaca with the same intention."

These citations, we think, appear to justify the author in his attempt to identify the situation of his rock and fountain with the place of those mentioned by Homer. But let us now follow him in the closer description of the scene. — After some account of the subjects in the plate affixed, Mr. Gell remarks:

"[It] is impossible to visit this sequestered spot without being struck with the recollection of the Fount of Arethusa and the rock Korax, which the poet mentions in the same line, adding, that there the swine ate the sweet[4] acorns, and drank the black water."

"Having passed some time at the fountain, taken a drawing, and made the necessary observations on the situation of the place, we proceeded to an examination of the precipice, climbing over the terraces above the source among shady fig-trees, which, however, did not prevent us from feeling the powerful effects of the mid-day sun. After a short but fatiguing ascent, we arrived at the rock, which extends in a vast perpendicular semicircle, beautifully fringed with trees, facing to the south-east. Under the crag we found two caves of inconsiderable extent, the entrance of one of which, not difficult of access, is seen in the view of the fount. They are still the resort of sheep and goats, and in one of them are small natural receptacles for the water, covered by a stalagmatic incrustation.
These caves, being at the extremity of the curve formed by the precipice, open toward the south, and present us with another accompaniment of the fount of Arethusa, mentioned by the poet, who informs us that the swineherd Eumæus left his guests in the house, whilst he, putting on a thick garment, went to sleep near the herd, under the hollow of the rock, which sheltered him from the northern blast. Now we know that the herd fed near the fount; for Minerva tells Ulysses that he is to go first to Eumæus, whom he should find with the swine, near the rock Korax and the fount of Arethusa. As the swine then fed at the fountain, so it is necessary that a cavern should be found in its vicinity; and this seems to coincide, in distance and situation, with that of the poem. Near the fount also was the fold or stathmos of Eumæus; for the goddess informs Ulysses that he should find his faithful servant at or above the fount.
"Now the hero meets the swineherd close to the fold, which was consequently very near that source. At the top of the rock, and just above the spot where the waterfall shoots down the precipice, is at this day a stagni, or pastoral dwelling, which the herdsmen of Ithaca still inhabit, on account of the water necessary for their cattle. One of these people walked on the verge of the precipice at the time of our visit to the place, and seemed so anxious to know how we had been conveyed to the spot, that his inquiries reminded us of a question probably not uncommon in the days of Homer, who more than once represents the Ithacences demanding of strangers what ship had brought them to the island, it being evident they could not come on foot. He told us that there was, on the summit where he stood, a small cistern of water, and a kalybea, or shepherd's hut. There are also vestiges of ancient habitations, and the place is now called Amarâthia.
Convenience, as well as safety, seems to have pointed out the lofty situation of Amarâthia as a fit place for the residence of the herdsmen of this part of the island from the earliest ages. A small source of water is a treasure in these climates; and if the inhabitants of Ithaca now select a rugged and elevated spot, to secure them from the robbers of the Echinades, it is to be recollected that the Taphian pirates were not less formidable, even in the days of Ulysses, and that a residence in a solitary part of the island, far from the fortress, and close to a celebrated fountain, must at all times have been dangerous, without some such security as the rocks of Korax. Indeed, there can be no doubt that the house of Eumæus was on the top of the precipice; for Ulysses, in order to evince the truth of his story to the swineherd, desires to be thrown from the summit if his narration does not prove correct.
Near the bottom of the precipice is a curious natural gallery, about seven feet high, which is expressed in the plate. It may be fairly presumed, from the very remarkable coincidence between this place and the Homeric account, that this was the scene designated by the poet as the fountain of Arethusa, and the residence of Eumæus; and, perhaps, it would be impossible to find another spot which bears, at this day, so strong a resemblance to a poetic description composed at a period so very remote. There is no other fountain in this part of the island, nor any rock which bears the slightest resemblance to the Korax of Homer.
The stathmos of the good Eumæus appears to have been little different, either in use or construction, from the stagni and kalybea of the present day. The poet expressly mentions that other herdsmen drove their flocks into the city at sunset, — a custom which still prevails throughout Greece during the winter, and that was the season in which Ulysses visited Eumæus. Yet Homer accounts for this deviation from the prevailing custom, by observing that he had retired from the city to avoid the suitors of Penelope. These trifling occurrences afford a strong presumption that the Ithaca of Homer was something more than the creature of his own fancy, as some have supposed it; for though the grand outline of a fable may be easily imagined, yet the consistent adaptation of minute incidents to a long and elaborate falsehood is a task of the most arduous and complicated nature."

After this long extract, by which we have endeavoured to do justice to Mr. Gell's argument, we cannot allow room for any farther quotations of such extent; and we must offer a brief and imperfect analysis of the remainder of the work. In the third chapter the traveller arrives at the capital, and in the fourth he describes it in an agreeable manner. We select his account of the mode of celebrating a Christian festival in the Greek Church:—

"We were present at the celebration of the feast of the Ascension, when the citizens appeared in their gayest dresses, and saluted each other in the streets with demonstrations of pleasure. As we sate at breakfast in the house of Signer Zavo, we were suddenly roused by the discharge of a gun, succeeded by a tremendous crash of pottery, which fell on the tiles, steps, and pavements, in every direction. The bells of the numerous churches commenced a most discordant jingle; colours were hoisted on every mast in the port, and a general shout of joy announced some great event. Our host informed us that the feast of the Ascension was annually commemorated in this manner at Bathi, the populace exclaiming , Christ is risen, the true God."

In another passage, he continues this account as follows:—

"In the evening of the festival, the inhabitants danced before their houses; and at one we saw the figure which is said to have been first used by the youths and virgins of Delos, at the happy return of Theseus from the expedition of the Cretan Labyrinth. It has now lost much of that intricacy which was supposed to allude to the windings of the habitation of the Minotaur,"