Art. VII. Poems by William Robert Spencer. 8vo. 10s. Boards. Cadell and Davies. 1811.
The author of this well-printed volume has more than once been introduced to our readers, and is known to rank among that class of poetical persons who have never been highly favoured by stern criticism. The "mob of gentlemen who write with ease" has indeed of late years (like other mobs) become so importunate, as to threaten an alarming rivalry to the regular body of writers who are not fortunate enough to be either easy or genteel. Hence the jaundiced eye with which the real author regards the red Morocco binding of the presumptuous "Littérateur;" we say,
the binding
, for into the book itself he cannot condescend to look, at least not beyond the frontispiece.—Into Mr. Spencer's volume, however, he may dip farther, and will find sufficient to give him pleasure or pain, in proportion to his own candour. It consists chiefly of "
Vers de Société
," calculated to prove very delightful to a large circle of fashionable acquaintance, and pleasing to a limited number of vulgar purchasers. These last, indeed, may be rude enough to expect something more for their specie during the present scarcity of change, than lines to "Young Poets and Poetesses," "Epitaphs upon Years," Poems "to my Grammatical Niece," "Epistle from Sister Dolly in Cascadia to Sister Tanny in Snowdonia," etc.: but we doubt not that a long list of persons of quality, wit, and honour, "in town and country," who are here addressed, will be highly pleased with themselves and with the poet who has
shewn them off
in a very handsome volume: as will doubtless the "Butterfly at the end of Winter," provided that he is fortunate enough to survive the present inclemencies. We are, however, by no means convinced that the Bellman will relish Mr. S.'s usurpation of a "Christmas Carol;" which looks so very like his own, that we advise him immediately to put in his claim, and it will be universally allowed.
With the exception of these and similar productions, the volume contains poems eminently beautiful; some which have been already published, and others that are well worthy of present publication. Of "Leonora," with which it opens, we made our report many years ago (in vol. xx. N.S. p. 451): but our readers, perhaps, will not be sorry to see another short extract. We presume that they are well acquainted with the story, and therefore select one of the central passages:
"See, where fresh blood-gouts mat the green,
Yon wheel its reeking points advance;
There, by the moon's wan light half seen,
Grim ghosts of tombless murderers dance.
'Come, spectres of the guilty dead,
With us your goblin morris ply,
Come all in festive dance to tread,
Ere on the bridal couch we lie.'
"Forward th' obedient phantoms push,
Their trackless footsteps rustle near,
In sound like autumn winds that rush
Through withering oak or beech-wood sere.
With lightning's force the courser flies,
Earth shakes his thund'ring hoofs beneath,
Dust, stones, and sparks, in whirlwind rise,
And horse and horseman heave for breath.
"Swift roll the moon-light scenes away,
Hills chasing hills successive fly;
E'en stars that pave th' eternal way,
Seem shooting to a backward sky.
'Fear'st thou, my love? the moon shines clear;
Hurrah! how swiftly speed the dead!
The dead does Leonora fear?
Oh God! oh leave, oh leave the dead!'"