[ [578] {538}["The mumming closed with a masked ball at the Fenice, where I went, as also to most of the ridottos, etc., etc.; and, though I did not dissipate much upon the whole, yet I find 'the sword wearing out the scabbard,' though I have but just turned the corner of twenty-nine."—Letter to Moore, February 28, 1817. The verses form part of the letter. (See Letters, 1900, iv. 59, 60.)]
[ [579] [Lady Blessington told Crabb Robinson (Diary, 1869, in. 17) that the publication of the Question and Answer would "kill Rogers." The MS. is dated 1818, and it is probable that the lines were written in the early spring of that year. Moore or Murray had told Byron that Rogers was in doubt whether to praise or blame him in his poem on "Human Life" now approaching completion; and he had heard, from other sources, that it was Rogers who was the author or retailer of certain scandalous stories which were current in the "whispering-gallery of the world." He had reason to believe that everybody was talking about him, and it was a relief to be able to catch and punish so eminent a scandal-monger. It was in this spirit that he wrote to Murray (February 20, 1818), "What you tell me of Rogers, ... is like him. He cannot say that I have not been a sincere and warm friend to him, till the black drop of his liver oozed through too palpably to be overlooked. Now if I once catch him at any of his jugglery with me or mine, let him look to it," etc., etc., and in all probability the "poem on Rogers" was then in existence, or was working in his brain. The lines once written, Byron swallowed his venom, and, when Rogers visited Italy in the autumn of 1821, he met him at Bologna, travelled with him across the Apennines to Florence, and invited him "to stay as long as he liked" at Pisa. Thither Rogers came, presumably, in November, 1821, and, if we may trust the Table Talk (1856, p. 238), remained at the Palazzo Lanfranchi for several days.
Byron seems to have been more than usually provocative and cross-grained, and, on one occasion (see Medwin, Angler in Wales, 1834, i. 26, sq.; and Records of Shelley, etc., by E. T. Trelawney, 1878, i. 53), when he was playing billiards, and Rogers was in the lobby outside, secretly incited his bull-dog, "Faithful Moretto," to bark and show his teeth; and, when Medwin had convoyed the terror-stricken bard into his presence, greeted him with effusion, but contrived that he should sit down on the very sofa which hid from view the MS. of "Question and Answer." Longa est injuria, longæ ambages; but the story rests on the evidence of independent witnesses.
By far the best comment on satire and satirist is to be found in the noble lines in Italy, in which Rogers commemorates his last meeting with the "Youth who swam from Sestos to Abydos"—
"If imagined wrongs
Pursued thee, urging thee sometimes to do
Things long regretted, oft, as many know,
None more than I, thy gratitude would build
On slight foundations; and, if in thy life
Not happy, in thy death thou surely wert,
Thy wish accomplished."
Poems by Samuel Rogers, 1852, ii. 119.]
[ [hx]——would shame a knocker.—[Fraser's Magazine, 1833.]
[ [hy] {539}Turning its quick tail——.—[Fraser's, etc.]
[ [580] {540}["'De mortuis nihil nisi bonum!' There is Sam Rogers [No. IV. of the Maclise Caricatures] a mortal likeness—painted to the very death!" A string of jests upon Rogers's corpse-like appearance accompanied the portrait.]
[ [hz] With the Scripture in connexion.—[Fraser's, etc.]