"Azazael and Samiasa ... rise into the air with the two sisters.... The appearance of the land strangled by the ocean will serve by way of scenery and decorations. The affectionate tenderness of Adah for those from whom she is parted, and for ever, and her fears contrasting with the loftier spirit of Aholibamah triumphing in the hopes of a new and greater destiny will make the dialogue. They, in the meantime, continue their aërial voyage, everywhere denied admittance in those floating islands over the sea of space, and driven back by guardian-spirits of the different planets, till they are at length forced to alight on the only peak of the earth uncovered by water. Here a parting takes place between the lovers.... The fallen angels are suddenly called, and condemned, their destination and punishment unknown. The sisters cling to the rock, the waters mounting higher and higher. Now enter Ark. The scene draws up, and discovers Japhet endeavouring to persuade the Patriarch, with very strong arguments of love and pity, to receive the sisters, or at least Adah, on board. Adah joins in his entreaties, and endeavours to cling to the sides of the vessel. The proud and haughty Aholibamah scorns to pray either to God or man, and anticipates the grave by plunging into the waters. Noah is still inexorable. [Adah] is momentarily in danger of perishing before the eyes of the Arkites. Japhet is in despair. The last wave sweeps her from the rock, and her lifeless corpse floats past in all its beauty, whilst a sea-bird screams over it, and seems to be the spirit of her angel lord. I once thought of conveying the lovers to the moon or one of the planets; but it is not easy for the imagination to make any unknown world more beautiful than this; besides, I did not think they would approve of the moon as a residence. I remember what Fontenelle said of its having no atmosphere, and the dark spots having caverns where the inhabitants reside. There was another objection: all the human interest would have been destroyed, which I have even endeavoured to give my angels.">[
WERNER;
OR,
THE INHERITANCE:
A TRAGEDY.
[Werner was produced, for the first time, at the Park Theatre, New York, in 1826. Mr. Barry played "Werner."
Werner was brought out at Drury Lane Theatre, and played, for the first time, December 15, 1830. Macready appeared as "Werner," J. W. Wallack as "Ulric," Mrs. Faucit as "Josephine," and Miss Mordaunt as "Ida." According to the Times, December 16, 1830, "Mr. Macready appeared to very great advantage. We have never seen him exert himself more—we have never known him to exert himself with more powerful effect. Three of his scenes were masterpieces." Genest says that Werner was acted seventeen times in 1830-31.
There was a revival in 1833. Macready says (Diary, March 20) that he acted "'Werner' with unusual force, truth, and collectedness ... finished off each burst of passion, and, in consequence, entered on the following emotion with clearness and earnestness" (Macready's Reminiscences, 1875, i 36.6).