"January 8, 1822. Mary read us the first two acts of Lord B.'s Werner."
Again, in an unpublished diary of the same period it is recorded that Mrs. Shelley was engaged in the task of copying on January 17, 1822, and the eight following days, and that on January 25 she finished her transcript.
Again, Medwin (Conversations, 1824, p. 409) records the fact that Byron told him "that he had almost finished another play ... called Werner;" and (p. 412) "that Werner was written in twenty-eight days, and one entire act at a sitting." It is almost incredible that Byron should have recopied a copy of the duchess's play in order to impose on Mrs. Shelley and Williams and Medwin; and it is quite incredible that they were in the plot, and lent themselves to the deception. It is certain that both Williams and Medwin believed that Byron was the author of Werner, and it is certain that nothing would have induced Mrs. Shelley to be particeps criminis—to copy a play which was not Byron's, to be published as Byron's, and to suffer her copy to be fraudulently endorsed by her guilty accomplice.
The internal evidence of the genuineness of Werner is still more convincing. In the first place, there are numerous "undesigned coincidences," allusions, and phrases to be found in Werner and elsewhere in Byron's Poetical Works, which bear his sign-manual, and cannot be attributed to another writer; and, secondly, scattered through the play there are numerous lines, passages, allusions—"a cloud of witnesses" to their Byronic inspiration and creation.
Take the following parallels:—
Werner, act i. sc. 1, lines 693, 694—
"... as parchment on a drum,
Like Ziska's skin."
Age of Bronze, lines 133, 134—
"The time may come,