"Dr. Murray—As you are squeamish you may put 'teapot, tray,' in case the other piece of feminine furniture frightens you.—B."

[176] [For Byron's menagerie, see Werner, act i. sc. 1, line 216, Poetical Works, 1902, v. 348, note 1.]

[177] {149}["But as for canine recollections ... I had one (half a wolf by the she-side) that doted on me at ten years old, and very nearly ate me at twenty. When I thought he was going to enact Argus, he bit away the backside of my breeches, and never would consent to any kind of recognition, in despite of all kinds of bones which I offered him."—Letter to Moore, January 19, 1815, Letters, 1899, iii. 171, 172. Compare, too, Childe Harold, Canto I. Song, stanza ix., Poetical Works, 1899, ii. 30.]

[CL] {150}

Yet for all that don't stay away too long,

A sofa, like a bed, may come by wrong.—[MS.]

I've known the friend betrayed——.—[MS. D.]

[178] {151}[The Pyrrhic war-dance represented "by rapid movements of the body, the way in which missiles and blows from weapons were avoided, and also the mode in which the enemy was attacked" (Dict. of Ant.). Dodwell (Tour through Greece, 1819, ii. 21, 22) observes that in Thessaly and Macedon dances are performed at the present day by men armed with their musket and sword. See, too, Hobhouse's description (Travels in Albania, 1858, i. 166, 167) of the Albanian war-dance at Loutráki.]

[179] ["Their manner of dancing is certainly the same that Diana is sung to have danced on the banks of Eurotas. The great lady still leads the dance, and is followed by a troop of young girls, who imitate her steps, and, if she sings, make up the chorus. The tunes are extremely gay and lively, yet with something in them wonderfully soft. The steps are varied according to the pleasure of her that leads the dance, but always in exact time, and infinitely more agreeable than any of our dances."—Lady M.W. Montagu to Pope, April 1, O.S., 1817, Letters, etc., 1816, p. 138. The "kerchief-waving" dance is the Romaika. See The Waltz, line 125, Poetical Works, 1898, i. 492, note 1. See, too, Voyage Pittoresque ... by the Comte de Choiseul-Gouffier, 1782, vol. i. Planche 33.]

[CM] That would have set Tom Moore, though married, raving.—[MS.]