There are to-day in England several distinct schools of single-stick, the English navy having, I believe, a school of its own; but all these different schools are separated from one another merely by sets of rules, directing, for the most part, where you may and where you may not hit your adversary.
The best school appears to be that in which all hits are allowed, which might be given by a rough in a street row, or a Soudanese running a-muck. The old trial for teachers of fencing was not a bad test of real excellence in the mastery of their weapon—a fight with three skilled masters of fence (one at a time, of course), then three bouts with valiant unskilled men, and then three bouts against three half-drunken men. A man who could pass this test was a man whose sword could be relied upon to keep his head, and this is what is wanted. All rules, then, which provide artificial protection, as it were—protection other than that afforded by the swordsman’s guard—to any part of the body are wrong, and to be avoided.
Let me illustrate my position. I remember well, at Waite’s rooms, in Brewer Street, seeing a big Belgian engaged with a gentleman who at that time occupied the honourable position of chopping-block to the rooms. The Belgian had come over to take part in some competition, and was an incomparably better player than the Englishman, but then the Belgian wished to play according to the rules of his own school. It was arranged at last that each should do his worst in his own way, and it was hoped that Providence would take care of the better man.
Unfortunately the worse man of the two had been very much in the habit of taking care of himself when subjected to the attacks of such punishing players as Ottaway and Mr. Jack Angle.
The Belgian’s legs had been protected by a rule of fence, which made it illegal to hit below the waist, or some such point, and now naturally they fell an easy prey to the Englishman’s ash-plant. The result was, of course, that in a very short time that Belgian’s thigh was so wealed that at every feint in that direction he was ready to be drawn, and to uncover head or arm or any well-padded spot, not already sore, to the other man’s attack.
Let me touch lightly on one or two little points before plunging in medias res. In spite of what I have said about hard hitting, please remember that I have recommended my pupil only to suffer it gladly for his own sake. It will improve his temper and his play. On the other hand, hard, indiscriminate hitting is to be discountenanced for many reasons, and principally because, as a rule, a hard hit means a slow one. Always remember that all the time taken to draw your hand back for a blow is time given to the enemy to get his point in, and that a blow delivered from wrist and arm (bent only as much as it should be when you “engage”) would suffice to disable your adversary if the sticks were what they pretend to be, “sharp swords.” Again, in ordinary loose play, remember you are playing, or are supposed to be playing, with the weapons of gentlemen, and should show the fine old-fashioned courtesy to one another which is due to a foeman worthy of your steel. If there is a question as to a hit, acknowledge it as against yourself, as in the cut below, by springing up to attention and bringing the hilt up to the level of the mouth, blade upright, and knuckles turned to your front.
Fig. 24.—Acknowledging.
Again, if you should get an awkward cut, do all you can not to return savagely. If you make any difference at all, play more lightly for the next five minutes, otherwise you may drift into a clumsy slogging match, ending in bad blood. Finally, if you do get hold of a vicious opponent, do not, whatever you do, show that you mind his blows. If he sees that a cut at a particular place makes you flinch, he will keep on feinting at it until he hits you wherever he pleases; but if, on the contrary, you take no notice of punishment, you are apt to dishearten the adversary, who feels that your blows hurt him, and is uncertain whether his tell upon you in like manner. I may as well say here that throughout this paper, I have, as far as possible, used English words to explain my meaning, abstaining from the French terms of the fencing school, as being likely to confuse a beginner, who may not want to learn French as an introduction to fencing.