After many delays Evelina appeared in January, 1778. Poor Fanny was sick with terror, and durst hardly stir out of doors. Some days passed before anything was heard of the book. It had, indeed, nothing but its own merits to push it into public favor. Its author was unknown. The house by which it was published was not, we believe, held in high estimation. No body of partisans had been engaged to applaud. The better class of readers expected little from a novel about a young lady's entrance into the world. There was, indeed, at that time a disposition among the most respectable people to condemn novels generally; nor was this disposition by any means without excuse; for works of that sort were then almost always silly, and very frequently wicked.
Soon, however, the first faint accents of praise began to be heard. The keepers of the circulating libraries reported that everybody was asking for Evelina, and that some person had guessed Anstey to be the author. Then came a favorable notice in the London Review; then another still more favorable in the Monthly. And now the book found its way to tables which had seldom been polluted by marble-covered volumes. Scholars and statesmen, who contemptuously abandoned the crowd of romances to Miss Lydia Languish and Miss Sukey Saunter, were not ashamed to own that they could not tear themselves away from Evelina. Fine carriages and rich liveries, not often seen east of Temple Bar, were attracted to the publisher's shop in Fleet Street. Lowndes was daily questioned about the author, but was himself as much in the dark as any of the questioners. The mystery, however, could not remain a mystery long. It was known to brothers and sisters, aunts and cousins; and they were far too proud and too happy to be discreet. Dr. Burney wept over the book in rapture. Daddy Crisp shook his fist at his Fannikin in affectionate anger at not having been admitted to her confidence. The truth was whispered to Mrs. Thrale; and then it began to spread fast.
The book had been admired while it was ascribed to men of letters long conversant with the world, and accustomed to composition. But when it was known that a reserved, silent young woman had produced the best work of fiction that had appeared since the death of Smollett, the acclamations were redoubled. What she had done was, indeed, extraordinary. But, as usual, various reports improved the story till it became miraculous. Evelina, it was said, was the work of a girl of seventeen. Incredible as this tale was, it continued to be repeated down to our own time. Frances was too honest to confirm it. Probably she was too much a woman to contradict it; and it was long before any of her detractors thought of this mode of annoyance. Yet there was no want of low minds and bad hearts in the generation which witnessed her first appearance. There was the envious Kenrick and the savage Wolcot, the asp George Steevens, and the polecat John Williams. It did not, however, occur to them to search the parish register of Lynn, in order that they might be able to twit a lady with having concealed her age. That truly chivalrous exploit was reserved for a bad writer of our own time, whose spite she had provoked by not furnishing him with materials for a worthless edition of Boswell's Life of Johnson, some sheets of which our readers have doubtless seen round parcels of better books.
But we must return to our story. The triumph was complete. The timid and obscure girl found herself on the highest pinnacle of fame. Great men, on whom she had gazed at a distance with humble reverence, addressed her with admiration, tempered by the tenderness due to her sex and age. Burke, Windham, Gibbon, Reynolds, Sheridan, were among her most ardent eulogists. Cumberland acknowledged her merit, after his fashion, by biting his lips and wriggling in his chair whenever her name was mentioned. But it was at Streatham that she tasted, in the highest perfection, the sweets of flattery, mingled with the sweets of friendship. Mrs. Thrale, then at the height of prosperity and popularity, with gay spirits, quick wit, showy though superficial acquirements, pleasing though not refined manners, a singularly amiable temper, and a loving heart, felt towards Fanny as towards a younger sister. With the Thrales Johnson was domesticated. He was an old friend of Dr. Burney; but he had probably taken little notice of Dr. Burney's daughters, and Fanny, we imagine, had never in her life dared to speak to him, unless to ask whether he wanted a nineteenth or a twentieth cup of tea. He was charmed by her tale, and preferred it to the novels of Fielding, to whom, indeed, he had always been grossly unjust. He did not, indeed, carry his partiality so far as to place Evelina by the side of Clarissa and Sir Charles Grandison; yet he said that his little favorite had done enough to have made even Richardson feel uneasy. With Johnson's cordial approbation of the book was mingled a fondness, half gallant, half paternal, for the writer; and this fondness his age and character entitled him to show without restraint. He began by putting her hand to his lips. But he soon clasped her in his huge arms, and implored her to be a good girl. She was his pet, his dear love, his dear little Burney, his little character-monger. At one time, he broke forth in praise of the good taste of her caps. At another time he insisted on teaching her Latin. That, with all his coarseness and irritability, he was a man of sterling benevolence has long been acknowledged. But how gentle and endearing his deportment could be was not known till the Recollections of Madame D'Arblay were published.
We have mentioned a few of the most eminent of those who paid their homage to the author of Evelina. The crowd of inferior admirers would require a catalogue as long as that in the second book of the Iliad. In that catalogue would be Mrs. Cholmondeley, the sayer of odd things, and Seward, much given to yawning, and Baretti, who slew the man in the Haymarket, and Paoli, talking broken English, and Langton, taller by the head than any other member of the club, and Lady Millar, who kept a vase wherein fools were wont to put bad verses, and Jerningham, who wrote verses fit to be put into the vase of Lady Millar, and Dr. Franklin, not, as some have dreamed, the great Pennsylvanian Dr. Franklin, who could not then have paid his respects to Miss Burney without much risk of being hanged, drawn, and quartered, but Dr. Franklin the less,
Αιας
μειων, ουτι τοσος γε ὁσος Τελαμωνιος Αιας,
alla poly meiôn.
It would not have been surprising if such success had turned even a strong head, and corrupted even a generous and affectionate nature. But, in the Diary, we can find no trace of any feeling inconsistent with a truly modest and amiable disposition. There is, indeed, abundant proof that Frances enjoyed with an intense, though a troubled, joy the honors which her genius had won; but it is equally clear that her happiness sprang from the happiness of her father, her sister, and her dear Daddy Crisp. While flattered by the great, the opulent, and the learned, while followed along the Steyne at Brighton, and the Pantiles at Tunbridge Wells, by the gaze of admiring crowds, her heart seems to have been still with the little domestic circle in St. Martin's Street. If she recorded with minute diligence all the compliments, delicate and coarse, which she heard wherever she turned, she recorded them for the eyes of two or three persons who had loved her from infancy, who had loved her in obscurity, and to whom her fame gave the purest and most exquisite delight. Nothing can be more unjust than to confound these outpourings of a kind heart, sure of perfect sympathy, with the egotism of a blue-stocking, who prates to all who come near her about her own novel or her own volume of sonnets.
It was natural that the triumphant issue of Miss Burney's first venture should tempt her to try a second. Evelina, though it had raised her fame, had added nothing to her fortune. Some of her friends urged her to write for the stage. Johnson promised to give her his advice as to the composition. Murphy, who was supposed to understand the temper of the pit as well as any man of his time, undertook to instruct her as to stage effect. Sheridan declared that he would accept a play from her without even reading it. Thus encouraged, she wrote a comedy named The Witlings. Fortunately it was never acted or printed. We can, we think, easily perceive, from the little which is said on the subject in the Diary, that The Witlings would have been damned, and that Murphy and Sheridan thought so, though they were too polite to say so. Happily Frances had a friend who was not afraid to give her pain. Crisp, wiser for her than he had been for himself, read the manuscript in his lonely retreat, and manfully told her that she had failed, that to remove blemishes here and there would be useless, that the piece had abundance of wit, but no interest, that it was bad as a whole, that it would remind every reader of the Femmes Savantes, which, strange to say, she had never read, and that she could not sustain so close a comparison with Molière. This opinion, in which Dr. Burney concurred, was sent to Frances, in what she called "a hissing, groaning, catcalling epistle." But she had too much sense not to know that it was better to be hissed and catcalled by her Daddy, than by a whole sea of heads in the pit of Drury Lane Theatre; and she had too good a heart not to be grateful for so rare an act of friendship. She returned an answer, which shows how well she deserved to have a judicious, faithful, and affectionate adviser. "I intend," she wrote, "to console myself for your censure by this greatest proof I have ever received of the sincerity, candor, and, let me add, esteem, of my dear daddy. And as I happen to love myself more than my play, this consolation is not a very trifling one. This, however, seriously I do believe, that when my two daddies put their heads together to concert that hissing, groaning, catcalling epistle they sent me, they felt as sorry for poor little Miss Bayes as she could possibly do for herself. You see I do not attempt to repay your frankness with an air of pretended carelessness. But, though somewhat disconcerted just now, I will promise not to let my vexation live out another day. Adieu, my dear daddy, I won't be mortified, and I won't be downed; but I will be proud to find I have, out of my own family, as well as in it, a friend who loves me well enough to speak plain truth to me."
Frances now turned from her dramatic schemes to an undertaking far better suited to her talents. She determined to write a new tale, on a plan excellently contrived for the display of the powers in which her superiority to other writers lay. It was in truth a grand and various picture gallery, which presented to the eye a long series of men and women, each marked by some strong peculiar feature. There were avarice and prodigality, the pride of blood and the pride of money, morbid restlessness and morbid apathy, frivolous garrulity, supercilious silence, a Democritus to laugh at everything, and a Heraclitus to lament over everything. The work proceeded fast, and in twelve months was completed. It wanted something of the simplicity which had been among the most attractive charms of Evelina; but it furnished ample proof that the four years which had elapsed since Evelina appeared had not been unprofitably spent. Those who saw Cecilia in manuscript pronounced it the best novel of the age. Mrs. Thrale laughed and wept over it. Crisp was even vehement in applause, and offered to insure the rapid and complete success of the book for half a crown. What Miss Burney received for the copyright is not mentioned in the Diary; but we have observed several expressions from which we infer that the sum was considerable. That the sale would be great nobody could doubt; and Frances now had shrewd and experienced advisers, who would not suffer her to wrong herself. We have been told that the publishers gave her two thousand pounds, and we have no doubt that they might have given a still larger sum without being losers.
Cecilia was published in the summer of 1782. The curiosity of the town was intense. We have been informed by persons who remember those days that no romance of Sir Walter Scott was more impatiently awaited, or more eagerly snatched from the counters of the booksellers. High as public expectation was, it was amply satisfied; and Cecilia was placed, by general acclamation, among the classical novels of England.