not think that it was in human dulness to miss the meaning of the lines so completely. Sir William distributes twenty-three hours among various employments. One hour is thus left for devotion. The reader expects that the verse will end with “and one to heaven.” The whole point of the lines consists in the unexpected substitution of “all” for “one.” The conceit is wretched enough; but it is perfectly intelligible, and never, we will venture to say, perplexed man, woman, or child before.
Poor Tom Davies, after failing in business, tried to live by his pen. Johnson called him “an author generated by the corruption of a bookseller.” This is a very obvious, and even a commonplace allusion to the famous dogma of the old physiologists. Dryden made a similar allusion to that dogma before Johnson was born. Mr. Croker, However, is unable to understand what the doctor meant. “The expression,” he says, “seems not quite clear.” And he proceeds to talk about the generation of insects, about bursting into gaudier life, and Heaven knows what. (1)
There is still a stranger instance of the editor’s talent for finding out difficulty in what is perfectly plain. “No man,” said Johnson, “can now be made a bishop for his learning and piety.”
“From this too just observation,” says Boswell, “there are some eminent exceptions.” Mr. Croker is puzzled by Boswell’s very natural and simple language. “That a general observation should be pronounced too just, by the very person who admits that it is not universally just, is not a little odd.” (2)
A very large proportion of the two thousand five hundred notes which the editor boasts of having added
1 IV. 323.
2 III. 228.
to those of Boswell and Malone consists of the flattest and poorest reflections, reflections such as the least intelligent reader is quite competent to make for himself, and such as no intelligent reader would think it worth while to utter aloud. They remind us of nothing so much as of those profound and interesting annotations which are penciled by sempstresses and apothecaries’ boys on the dog-eared margins of novels borrowed from circulating libraries; “How beautiful!” “Cursed prosy!”
“I don’t like Sir Reginald Malcolm at all.”
“I think Pelham is a sad dandy.” Mr. Croker is perpetually stopping us in our progress through the most delightful narrative in the language, to observe that really Dr. Johnson was very rude, that he talked more for victory than for truth, that his taste for port wine with capillaire in it was very odd, that Boswell was impertinent, that it was foolish in Mrs. Thrale to blame the music-master; and so forth.
We cannot speak more favourably of the manner in which the notes are written than of the matter of which they consist. We find in every page words used in wrong senses, and constructions which violate the plainest rules of grammar. We have the vulgarism of “mutual friend,” for “common friend.” We have “fallacy” used as synonymous with “falsehood.” We have many such inextricable labyrinths of pronouns as that which follows: “Lord Erskine was fond of this anecdote; he told it to the editor the first time that he had the honour of being in his company.” Lastly, we have a plentiful supply of sentences resembling those which we subjoin. “Markland, who, with Jortin and Thirlby, Johnson calls three contemporaries of great eminence.” (1) “Warburton himself did not feel, as Mr.