36. The characteristic faults of his style are so familiar to all our readers, and have been so often burlesqued, that it is almost superfluous to point them out. It is well known that he made less use than any other eminent writer of those strong plain words, Anglo-Saxon or Norman-French, of which the roots lie in the inmost depths of our language; and that he felt a vicious partiality for terms which, long after our own speech had been fixed, were borrowed from the Greek and 5 Latin, and which therefore, even when lawfully naturalised, must be considered as born aliens, not entitled to rank with the king's English. His constant practice of padding out a sentence with useless epithets, till it became as stiff as the bust of an exquisite, his antithetical forms of expression, 10 constantly employed even where there is no opposition in the ideas expressed, his big words wasted on little things, his harsh inversions, so widely different from those graceful and easy inversions which give variety, spirit, and sweetness to the expression of our great old writers, all these peculiarities 15 have been imitated by his admirers and parodied by his assailants, till the public has become sick of the subject.
37. Goldsmith said to him, very wittily and very justly, "If you were to write a fable about little fishes, doctor, you would make the little fishes talk like whales." No man surely 20 ever had so little talent for personation as Johnson. Whether he wrote in the character of a disappointed legacy-hunter or an empty town fop, of a crazy virtuoso or a flippant coquette, he wrote in the same pompous and unbending style. His speech, like Sir Piercy Shafton's Euphuistic eloquence, bewrayed him 25 under every disguise. Euphelia and Rhodoclea talk as finely as Imlac the poet, or Seged, Emperor of Ethiopia. The gay Cornelia describes her reception at the country-house of her relations in such terms as these: "I was surprised, after the civilities of my first reception, to find, instead of the leisure 30 and tranquillity which a rural life always promises, and, if well conducted, might always afford, a confused wildness of care, and a tumultuous hurry of diligence, by which every face was clouded, and every motion agitated." The gentle Tranquilla informs us, that she "had not passed the earlier part of life without the flattery of courtship, and the joys of triumph; but had danced the round of gaiety amidst the murmurs of envy and the gratulations of applause, had been attended from pleasure to pleasure by the great, the sprightly, 5 and the vain, and had seen her regard solicited by the obsequiousness of gallantry, the gaiety of wit, and the timidity of love." Surely Sir John Falstaff himself did not wear his petticoats with a worse grace. The reader may well cry out, with honest Sir Hugh Evans, "I like not when a 'oman has 10 a great peard: I spy a great peard under her muffler."[19]
38. We had something more to say. But our article is already too long; and we must close it. We would fain part in good humour from the hero, from the biographer, and even from the editor, who, ill as he has performed his 15 task, has at least this claim to our gratitude, that he has induced us to read Boswell's book again. As we close it, the club-room is before us, and the table on which stands the omelet for Nugent, and the lemons for Johnson. There are assembled those heads which live for ever on the canvass of 20 Reynolds. There are the spectacles of Burke and the tall thin form of Langton, the courtly sneer of Beauclerk, and the beaming smile of Garrick, Gibbon tapping his snuff-box, and Sir Joshua with his trumpet in his ear. In the foreground is that strange figure which is as familiar to us as the figures of 25 those among whom we have been brought up, the gigantic body, the huge massy face, seamed with the scars of disease, the brown coat, the black worsted stockings, the grey wig with the scorched foretop, the dirty hands, the nails bitten and pared to the quick. We see the eyes and mouth moving 30 with convulsive twitches; we see the heavy form rolling; we hear it puffing; and then comes the "Why, sir!" and the "What then, sir?" and the "No, sir!" and the "You don't see your way through the question, sir!"
39. What a singular destiny has been that of this remarkable man! To be regarded in his own age as a classic, and 5 in ours as a companion. To receive from his contemporaries that full homage which men of genius have in general received only from posterity! To be more intimately known to posterity than other men are known to their contemporaries! That kind of fame which is commonly the most transient is, 10 in his case, the most durable. The reputation of those writings, which he probably expected to be immortal, is every day fading; while those peculiarities of manner and that careless table-talk, the memory of which, he probably thought, would die with him, are likely to be remembered as long as the 15 English language is spoken in any quarter of the globe.
[NOTES]
Page 1. Line 4. Lichfield. Observe how near Lichfield comes to being in the exact center of England.
1 4–5. the midland counties. As you run your eye over the map, what counties should you naturally include under this head? In what county is Lichfield?
1 9. oracle. "Johnson, the Lichfield librarian, is now here; he propagates learning all over this diocese, and advanceth knowledge to its just height; all the clergy here are his pupils, and suck all they have from him."—From a letter written by Rev. George Plaxton, quoted by Boswell.