26 8. Wilhelm Meister. The hero of Goethe's novel of the same name. You may have read this passage on Hamlet in Rolfe's edition (p. 14), quoted from Furness's Hamlet, Vol. II, pp. 272 ff. Sprague also quotes it in his edition, p. 13.
26 26. Ben. The eighteenth-century Johnson has been followed by the nineteenth-century critics in putting a high estimate on the Jonson who wrote Every Man in His Humor. We are told that Shakspere took one of the parts in this play, acted in 1598. If you are not satisfied with the account in The Century Dictionary, or with any encyclopædia article, see The English Poets, edited by T. H. Ward, Vol. II (The Macmillan Company).
26 33–34. Æschylus, Euripides, Sophocles. Three great contemporary Greek tragedians.
27 3. Fletcher. Point out why an editor of Shakspere's plays should be familiar with the work of this group of Elizabethan dramatists.
27 11. Royal Academy. "His Majesty having the preceding year [1768] instituted the Royal Academy of Arts in London, Johnson had won the honour of being appointed Professor in Ancient Literature."—Boswell. Goldsmith was Professor in Ancient History in the same institution, and Boswell was Secretary for Foreign Correspondence. Look in The Century Dictionary under academy, the third meaning, and recall whatever you may have heard or read about the French Academy.
27 12. the King. "His Majesty expressed a desire to have the literary biography of this country ably executed, and proposed to Dr. Johnson to undertake it."—Boswell. Read Boswell's account of the interview. In consulting the index look under George III.
27 22. colloquial talents. Madame d'Arblay once said that Johnson had about him more "fun, and comical humour, and love of nonsense" than almost anybody else she ever saw.
28 23. Goldsmith. Macaulay's article on Goldsmith in The Encyclopædia Britannica is short, and so thoroughly readable that there is no excuse for not being familiar with it. Boswell is continually giving interesting glimpses of Dr. Oliver Goldsmith, and by taking advantage of the index in the Life of Johnson one may in half an hour learn a great deal about this remarkable man. According to Boswell, "he had sagacity enough to cultivate assiduously the acquaintance of Johnson, and his faculties were gradually enlarged by the contemplation of such a model."
28 24. Reynolds. We can learn from short articles about Sir Joshua's career, but the index to Boswell's Johnson will introduce us to the good times the great portrait painter had with the great conversationalist whom we are studying. Reynolds was the first proposer of the Club, and "there seems to have been hardly a day," says Robina Napier, "when these friends did not meet in the painting room or in general society." Ruskin says, "Titian paints nobler pictures and Vandyke had nobler subjects, but neither of them entered so subtly as Sir Joshua did into the minor varieties of human heart and temper." The business of his art "was not to criticise, but to observe," and for this purpose the hours he spent at the Club might be as profitable as those spent in his painting room. It will be interesting to make a list of some of the most notable "subjects" Reynolds painted.—Burke. Be sure to read Boswell's account of the famous Round Robin. It will make you feel better acquainted with Burke, Johnson, Reynolds, and Goldsmith. The student will find valuable material in Professor Lamont's edition of Burke's Speech on Conciliation with America, published by Ginn & Company.
28 25. Gibbon. You noticed on the Round Robin the autograph of the author of The History of the Decline and Fall of the Roman Empire?