Barere was, at the same time, an indefatigable journalist and pamphleteer. He set up a paper directed against England, and called the "Memorial Antibritannique". He planned a work entitled, "France made great and illustrious by Napoleon." When the Imperial government was established, the old regicide made himself conspicuous even among the crowd of flatterers by the peculiar fulsomeness of his adulation. He translated into French a contemptible volume of Italian verses, entitled, "The Poetic Crown, composed on the glorious accession of Napoleon the First, by the Shepherds of Arcadia." He commenced a new series of Carmagnoles very different from those which had charmed the Mountain. The title of Emperor of the French, he said, was mean; Napoleon ought to be Emperor of Europe. King of Italy was too humble an appellation; Napoleon's style ought to be King of Kings.
But Barere laboured to small purpose in both his vocations. Neither as a writer nor as a spy was he of much use. He complains bitterly that his paper did not sell. While the "Journal des Debats", then flourishing under the able management of Geoffroy, had a circulation of at least twenty thousand copies, the "Memorial Antibritannique" never, in its most prosperous times, had more than fifteen hundred subscribers; and these subscribers were, with scarcely an exception, persons residing far from Paris, probably Gascons, among whom the name of Barere had not yet lost its influence.
A writer who cannot find readers generally attributes the public neglect to any cause rather than to the true one; and Barere was no exception to the general rule. His old hatred to Paris revived in all its fury. That city, he says, has no sympathy with France. No Parisian cares to subscribe to a journal which dwells on the real wants and interests of the country. To a Parisian nothing is so ridiculous as patriotism. The higher classes of the capital have always been devoted to England. A corporal from London is better received among them than a French general. A journal, therefore, which attacks England has no chance of their support.
A much better explanation of the failure of the "Memorial" was given by Bonaparte at St Helena. "Barere," said he to Barry O'Meara, "had the reputation of being a man of talent: but I did not find him so. I employed him to write; but he did not display ability. He used many flowers of rhetoric, but no solid argument; nothing but coglionerie wrapped up in high-sounding language."
The truth is that, though Barere was a man of quick parts, and could do with ease what he could do at all, he had never been a good writer. In the day of his power he had been in the habit of haranguing an excitable audience on exciting topics. The faults of his style passed uncensured; for it was a time of literary as well as of civil lawlessness, and a patriot was licensed to violate the ordinary rules of composition as well as the ordinary rules of jurisprudence and of social morality. But there had now been a literary as well as a civil reaction. As there was again a throne and a court, a magistracy, a chivalry, and a hierarchy, so was there a revival of classical taste. Honour was again paid to the prose of Pascal and Massillon, and to the verse of Racine and La Fontaine. The oratory which had delighted the galleries of the Convention was not only as much out of date as the language of Villehardouin and Joinville, but was associated in the public mind with images of horror. All the peculiarities of the Anacreon of the guillotine, his words unknown to the Dictionary of the Academy, his conceits and his jokes, his Gascon idioms and his Gascon hyperboles, had become as odious as the cant of the Puritans was in England after the Restoration.
Bonaparte, who had never loved the men of the Reign of Terror, had now ceased to fear them. He was all-powerful and at the height of glory; they were weak and universally abhorred. He was a sovereign; and it is probable that he already meditated a matrimonial alliance with sovereigns. He was naturally unwilling, in his new position, to hold any intercourse with the worst class of Jacobins. Had Barere's literary assistance been important to the government, personal aversion might have yielded to considerations of policy; but there was no motive for keeping terms with a worthless man who had also proved a worthless writer. Bonaparte, therefore, gave loose to his feelings. Barere was not gently dropped, not sent into an honourable retirement, but spurned and scourged away like a troublesome dog. He had been in the habit of sending six copies of his journal on fine paper daily to the Tuileries. Instead of receiving the thanks and praises which he expected, he was drily told that the great man had ordered five copies to be sent back. Still he toiled on; still he cherished a hope that at last Napoleon would relent, and that at last some share in the honours of the state would reward so much assiduity and so much obsequiousness. He was bitterly undeceived. Under the Imperial constitution the electoral colleges of the departments did not possess the right of choosing senators or deputies, but merely that of presenting candidates. From among these candidates the emperor named members of the senate, and the senate named members of the legislative body. The inhabitants of the Upper Pyrenees were still strangely partial to Barere. In the year 1805, they were disposed to present him as a candidate for the senate. On this Napoleon expressed the highest displeasure; and the president of the electoral college was directed to tell the voters, in plain terms, that such a choice would be disgraceful to the department. All thought of naming Barere a candidate for the senate was consequently dropped. But the people of Argeles ventured to name him a candidate for the legislative body. That body was altogether destitute of weight and dignity; it was not permitted to debate; its only function was to vote in silence for whatever the government proposed. It is not easy to understand how any man who had sat in free and powerful deliberative assemblies could condescend to bear a part in such a mummery. Barere, however, was desirous of a place even in this mock legislature; and a place even in this mock legislature was refused to him. In the whole senate he had not a single vote.
Such treatment was sufficient, it might have been thought, to move the most abject of mankind to resentment. Still, however, Barere cringed and fawned on. His letters came weekly to the Tuileries till the year 1807. At length, while he was actually writing the two hundred and twenty-third of the series, a note was put into his hands. It was from Duroc, and was much more perspicuous than polite. Barere was requested to send no more of his Reports to the palace, as the Emperor was too busy to read them.
Contempt, says the Indian proverb, pierces even the shell of the tortoise; and the contempt of the Court was felt to the quick even by the callous heart of Barere. He had humbled himself to the dust; and he had humbled himself in vain. Having been eminent among the rulers of a great and victorious state, he had stooped to serve a master in the vilest capacities; and he had been told that, even in those capacities, he was not worthy of the pittance which had been disdainfully flung to him. He was now degraded below the level even of the hirelings whom the government employed in the most infamous offices. He stood idle in the market-place, not because he thought any office too infamous, but because none would hire him.
Yet he had reason to think himself fortunate; for, had all that is avowed in these Memoirs been known, he would have received very different tokens of the Imperial displeasure. We learn from himself that, while publishing daily columns of flattery on Bonaparte, and while carrying weekly budgets of calumny to the Tuileries, he was in close connection with the agents whom the Emperor Alexander, then by no means favourably disposed towards France, employed to watch all that passed at Paris; was permitted to read their secret despatches; was consulted by them as to the temper of the public mind and the character of Napoleon; and did his best to persuade them that the government was in a tottering condition, and that the new sovereign was not, as the world supposed, a great statesman and soldier. Next, Barere, still the flatterer and talebearer of the Imperial Court, connected himself in the same manner with the Spanish envoy. He owns that with that envoy he had relations which he took the greatest pains to conceal from his own government; that they met twice a day; and that their conversation chiefly turned on the vices of Napoleon; on his designs against Spain, and on the best mode of rendering those designs abortive. In truth, Barere's baseness was unfathomable. In the lowest deeps of shame he found out lower deeps. It is bad to be a sycophant; it is bad to be a spy. But even among sycophants and spies there are degrees of meanness. The vilest sycophant is he who privily slanders the master on whom he fawns; and the vilest spy is he who serves foreigners against the government of his native land.
From 1807 to 1814 Barere lived in obscurity, railing as bitterly as his craven cowardice would permit against the Imperial administration, and coming sometimes unpleasantly across the police. When the Bourbons returned, he, as might have been expected, became a royalist, and wrote a pamphlet setting forth the horrors of the system from which the Restoration had delivered France, and magnifying the wisdom and goodness which had dictated the charter. He who had voted for the death of Louis, he who had moved the decree for the trial of Marie Antoinette, he whose hatred of monarchy had led him to make war even upon the sepulchres of ancient monarchs, assures us, with great complacency, that "in this work monarchical principles and attachment to the House of Bourbon are nobly expressed." By this apostasy he got nothing, not even any additional infamy; for his character was already too black to be blackened.