Lady Hamilton as "A Sibyl"

III

After his victory on the Nile, Nelson fully expected to be created a Viscount, and his claim was well supported by Hood, his old Admiral. He was made Baron Nelson of the Nile, and given a pension of £2,000 per annum—a poor recompense for the great service he had rendered to his country. But that was by no means the measure of the public gratitude. He was acclaimed from every corner of Great Britain as the national hero. The City of London presented him with a two hundred guinea sword, and a vote of thanks to himself, officers and men. There was much prayer and thanksgiving, and several women went as daft as brushes over him. One said her heart was absolutely bursting with all sorts of sensations. "I am half mad," says she, and any one who reads the letter will conclude that she understated her mental condition. But of all the many letters received by Nelson none surpasses in extravagance of adulation that written by Amy Lyon, the daughter of a village blacksmith, born at Great Neston in Cheshire, in 1761, who had come to London in the early part of 1780, fallen into evil ways and given birth to a little girl. She was then left destitute and sank as low as it is possible for a woman to do. She rose out of the depths into which she had fallen by appearing as the Goddess of Health in the exhibition of a James Graham. Sir Henry Featherstonehaugh took her under his protection for close on twelve months, but owing to her extravagance and faithlessness he turned her out when within a few months of a second child, which was stillborn. The first was handed over to her grandmother to take care of. Charles Greville, the second son of the Earl of Warwick, then took her to live with him. She had intimate relations with him while she was still Featherstonehaugh's mistress, and he believed the child about to be born was his. At this time Amy Lyon changed her name to Emily Hart. Greville went to work on business lines. He struck a bargain that all her previous lovers were to be dropped, and under this compact she lived with him in a respectable manner for nearly four years. He gave her some education, but she seems to have had natural genius, and her beauty was undisputed.

Emily Hart sat to Romney,[2] the artist, and it is said that twenty-three portraits were painted, though some writers have placed the number at over forty. "Marinda," "Sibyl," and the "Spinstress" were amongst them. The pictures bring high prices; one, I think called "Sensibility," brought, in 1890, over £3,000. Notwithstanding her lowly birth (which has no right to stop any one's path to greatness) and lack of chastity, she had something uncommon about her that was irresistibly attractive. Sir William Hamilton, Greville's uncle, returned to England some time in 1784 from Naples, where he was the British Minister. It was said that he was in quest of a second wife, the first having died some two years before. Greville did not take kindly to the idea of Sir William marrying again, because he was his heir. He thought instead that, being in financial trouble himself, he would try to plant Emma on his uncle, not with the object of marriage, but of her becoming his mistress. Sir William was captivated with the girl, which made it easy for the shameless nephew to persuade his uncle to take her off his hands. Emma, however, was in love with Greville, and there were indications of revolt when the astute lady discovered that serious negotiations were proceeding for her transference from nephew to uncle. It took twelve months to arrive at a settlement.

There does not appear to have been a signed agreement, but there certainly was a tacit understanding that Sir William was to assist Greville out of his difficulties, in return for which Emma was to join him at Naples, ostensibly as a visitor. She writes imploringly to Greville to answer her letters, but never an answer came, and in utter despair she tells him at last that she will not become his uncle's concubine, and threatens to make Hamilton marry her. This poor wretched woman was human, after all, and indeed she gave convincing proofs of many high qualities in after-years, but in the passion of her love for the dissolute scamp who bartered her away she pleaded for that touch of human compassion that never came. She knew that her reprobate lover was fearful lest she should induce his uncle to marry her, and she may have had an instinctive feeling that it was part of the contract that she was to be warded off if any attempt of the kind were made likely to endanger his prospects of becoming Hamilton's heir. His indifference made her venomously malignant, and she sent him a last stab that would at least give him a troubled mind, even though it should not cause him to recall her; she would then pursue her revenge by ignoring him.

It is a sordid story which smears the pages of British History.

Emma lived with the British Ambassador at Naples as his mistress. He was popular in this city of questionable morals at that time. She was beautiful and developed remarkable talents as a singer, and was a bright, witty, fascinating conversationalist. She worked hard at her studies, and became a fluent speaker of the Italian language. Hamilton had great consideration for her, and never risked having her affronted because of the liaison. Her singing was a triumph. It is said she was offered £6,000 to go to Madrid for three years and £2,000 for a season in London. She invented classic attitudes. Goethe said that "Sir William Hamilton, after long love and study of art, has at last discovered the most perfect of the wonders of nature and art in a beautiful young woman. She lives with him, and is about twenty years old. She is very handsome, and of a beautiful figure. What the greatest artists have aimed at is shown in perfection, in movement, in ravishing variety. Standing, kneeling, sitting, lying down, grave or sad, playful, exulting, repentant, wanton, menacing, anxious, all mental states follow rapidly one after another. With wonderful taste she suits the folding of her veil to each expression, and with the same handkerchief makes every kind of head-dress. The Old Knight holds the Light for her, and enters into the exhibition with his whole soul." Sir William had twelve of the "Representations" done by a German artist named Frederick Rehberg, entitled "Drawings faithfully copied from Nature at Naples."

Hamilton married Emma in 1791 in England, and when they returned to Naples she was presented to the Queen, and ultimately became on intimate terms with Her Majesty of Naples, whose questionable morals were freely spoken of. Emma quickly attained a high social standing, but it is doubtful whether she exercised that influence over the Queen of which she liked to boast.

In September, 1793, Nelson was at Naples by orders, and was the guest of the Hamiltons for a few days. He had not been there for five years, yet the precious Emma, without decorum or ceremony, sent him a written whirlwind of congratulations on the occasion of his victory at the Nile. Every line of the letter sends forth crackling sparks of fiery passion. She begins, "My dear, dear Sir," tells him she is delirious, that she fainted and fell on her side, "and am hurt," when she heard the joyful news. She "would feel it a glory to die in such a cause," but she cannot die until she has embraced "the Victor of the Nile." Then she proceeds to describe the transports of Maria Carolina. "She fainted too, cried, kissed her husband, her children, walked, frantic with pleasure, about the room, cried, kissed and embraced everybody near her." Then she continues, "Oh! brave Nelson! Oh! God bless and protect our brave deliverer! Oh! Nelson, Nelson! Oh! Victor! Oh! that my swollen heart could now tell him personally what we owe to him. My dress from head to foot is Allah Nelson. My earrings are Nelson's anchors." She sends him some sonnets, and avers that she must have taken a ship to "send all what is written on you." And so she goes on, throwing herself into his arms, metaphorically speaking, at every sentence.