"Insolent puppy!" he said in a whisper, so hoarse and yet so distinct that not an Intonation, not a syllable of it was lost, "that knows not the Giant it has awakened by its puny bark. You refuse to cross swords with Tom Betterton, the son of a Menial, as you choose to say? Very well, then, 'tis Thomas Betterton, the Artist of undying renown, who now declares war against You. For every Jeer to-day, for every Insult and for every Blow, he will be even with You; for he will launch against You the irresistible Thunderbolt that kills worse than death and which is called Dishonour! ... Aye! I will fight You, my Lord; not to your death, but to your undying Shame. And now," he added more feebly, as he threw his Lordship's arm away from him with a gesture of supreme contempt, "go, I pray You, go! I'll not detain You any longer. You and your friend are free to laugh for the last time to-day at the name which I, with my Genius, have rendered immortal. Beware, my Lord! The Ridicule that kills, the Obloquy which smirches worse than the impious hands of paid Lacqueys. This is the Word of Tom Betterton, my Lord; the first of his name, as you, please God, will be the last of yours!"
Then, without a groan, he fell, swooning, upon my shoulder. When consciousness of my surroundings once more returned to me, I realized that the two Gentlemen had gone.
CHAPTER VI
THE GATHERING STORM
1
It was after that never-to-be-forgotten Episode that Mr. Betterton honoured me with his full and entire Confidence. At the moment that he clung so pathetically to my feeble arms, he realized, I think for the first time, what a devoted Friend he would always find in me. Something of the powerful magical Fluid of my devotion must have emanated from my Heart and reached his sensitive Perceptions. He knew from that hour that, while I lived and had Health and Strength, I should never fail him in Loyalty and willing Service.
Soon afterwards, if you remember, Mr. Betterton went again to Paris, by command of His Majesty this time, there to study and to master the whole Question of Scenery and scenic Effects upon the Stage, such as is practised at the Theatre de Molière in the great City. That he acquitted himself of his task with Honour and Understanding goes without saying. The rousing Welcome which the public of London gave him on his return testified not only to his Worth but also to his Popularity.
The scenic Innovations, though daring and at times crudely realistic, did, in the opinion of Experts, set off the art of Mr. Betterton to the greatest possible Advantage. No doubt that his overwhelming Success at that time was in a great measure due to his familiarity with all those authentic-looking doors and trees and distant skies which at first bewildered such old-fashioned actors as Mr. Harris or the two Messrs. Noakes.
Never indeed had Mr. Betterton been so great as he was now. Never had his Talents stood so high in the estimation of the cultured World. His success as Alvaro in "Love and Honour," as Solyman in the "Siege of Rhodes," as Hamlett or Pericles, stand before me as veritable Triumphs. Bouquets and Handkerchiefs, scented Notes and Love-tokens, were showered upon the brilliant Actor as he stood upon the Stage, proudly receiving the adulation of the Audience whom he had conquered by the Magic of his Art.
His Majesty hardly ever missed a Performance at the new Duke's Theatre when Mr. Betterton was acting, nor did my Lady Castlemaine, who was shamelessly vowing about that time that she was prepared to bestow upon the great Man any Favour he might ask of her.