But at the moment I paid no heed to Lord Douglas' taunt levelled at his Friend, nor at the latter's somewhat careless way of Retort. In fact, the whole Episode did not then impress itself upon my mind, and it was only in face of later events that I was presently to be reminded of it all.

8

For the moment I was made happy by renewed kindly glances from Mr. Betterton. It seemed as if his eyes had actually beckoned to me, so I made bold to advance nearer to the dazzling group of Ladies and Gentlemen that stood about, talking—jabbering, I might say, like a number of gay-plumaged birds, for they seemed to me irresponsible and unintellectual in their talk.

Of course, I could not hear everything, and I had to try and make my unfashionably attired Person as inconspicuous as possible. So I drew a book from my pocket, one that looked something like a Greek Lexicon, though in truth it was a collection of Plays writ by the late Mr. William Shakespeare, in one or two of which—notably in one called "Hamlett"—Mr. Betterton had scored some of his most conspicuous Triumphs.

The book, and my seeming absorption in it, gave me the countenance of an earnest young Student intent on the perusal of Classics, even whilst it enabled me to draw quite near to the brilliant Throng of Distinguished People, who, if they paid any heed to me at all, would find excuses for my Presumption in my obvious earnest Studiousness. I was also able to keep some of my attention fixed upon Mr. Betterton, who was surrounded by admiring Friends; whilst at some little distance close by, I could see Mr. Harris—also of the Duke's Theatre—who was holding forth in a didactic manner before a group of Ladies and gay young Sparks, even though they were inclined to mock him because of his Conceit in pitting his talent against that of Mr. Betterton.

There was no doubt that a couple of years ago Mr. Harris could be, and was considered, the greatest Actor of his time; but since Mr. Betterton had consolidated his own triumph by playing the parts of Pericles, of Hamlett and of Prince Alvaro in "Love and Honour," the older Actor's reputation had undoubtedly suffered by comparison with the Genius of his younger Rival, at which of course he was greatly incensed. I caught sight now and then of his florid face, so different in expression to Mr. Betterton's more spiritual-looking countenance, and from time to time his pompous, raucous voice reached my ears, as did the more strident, high-pitched voices of the Ladies. I heard one young Lady say, to the accompaniment of some pretty, mincing gestures:

"Mr. Betterton was positively rapturous last night ... enchanting! You, Mr. Harris, will in truth have to look to your laurels."

And an elderly Lady, a Dowager of obvious consideration and dignity, added in tones which brooked of no contradiction:

"My opinion is that there never has been or ever will be a Player equal to Mr. Betterton in Purity of Diction and Elegance of Gesture. He hath indeed raised our English Drama to the level of High Art."

I could have bowed low before her and kissed her hand for this; aye! and have paid homage, too, to all these gaily-dressed Butterflies who, in truth, had more Intellectuality in them than I had given them credit for. Every word of Eulogy of my beloved Friend was a delight to my soul. I felt mine eyes glowing with enthusiasm and had grave difficulty in keeping them fixed upon my book.