"Mme. la Marquise d'Eglinton, M. le Comte!"
At first Lydie only saw Gaston as he turned to face the intruders. His face was flushed, and he muttered a quickly-suppressed oath. But already she had guessed, even before Lady Eglinton's strident voice had set her every nerve a-tingling.
"Mlle. de Saint Romans!" said milady, with a shrill laugh, "a thousand pardons! I had a message from Mme. de Pompadour for M. le Comte de Stainville, and thought to find him alone. A thousand pardons, I beg—the intrusion was involuntary—and the message unimportant—I'll deliver it when Monsieur is less pleasantly engaged."
Lydie at that moment could not have stirred one limb, if her very life had depended on a movement from her. The feeling of unreality had gone. It was no longer that. It was a grim, hideous, awful reality. That beautiful woman there was reality, and real, too, were the glowing eyes that flashed defiance at milady, the lips parted for that last kiss which the flunkey's voice had interrupted, the stray black curls which had escaped from the trammels of the elaborate coiffure and lay matted on the damp forehead.
And those roses, too, which had adorned her corsage, now lying broken and trampled on the floor, the candles burning dimly in their sockets, and Gaston's look of wrath, quickly followed by one of fear—all—all that was real!
Real to the awful shame of it all—milady's sneer of triumph, the oath which had risen to Gaston's lips, the wooden figure of the lacquey standing impassive at the door!
Instinctively Lydie's hand flew to her lips; oh, that she could have wiped out the last, lingering memory of that kiss. She, the proud and reserved vestal, a Diana chaste and cold, with lips now for ever polluted by contact with those of a liar. A liar, a traitor, a sycophant! She lashed her haughty spirit into fury, the better to feel the utter degradation of her own abasement.
She did not speak. What could she say! One look at Gaston's face and she understood that her humiliation was complete; his eyes did not even seek her pardon, they expressed neither sorrow nor shame, only impotent wrath and fear of baffled ambition. Not before all these people would she betray herself, before that beautiful rival, or that vulgar intrigante, not before Gaston or his lacquey, and beyond that mechanical movement of hand to lips, beyond one short flash of unutterable pride and contempt, she remained silent and rigid, whilst her quick eyes took in a complete mental vision of that never to-be-forgotten picture—the dimly-lighted boudoir, the defiant figure of Irène de Saint Romans, the crushed roses on the floor.
Then with a heart-broken sigh unheard by the other actors in this moving tableaux, and covering her face with her hands, she began to walk rapidly down the corridor.