"Elza has a perfectly mad plan in her head," Peter replied, and struck a few loud chords so that no one save Rosemary should hear what he said. "For God's sake, if you have any influence over her, get her to give it up."
Then he shouted merrily: "I've had enough of those horrible American tunes. Who wants a csàrdàs?"
But he did not play a csàrdàs a moment or two his fingers wandered aimlessly over the keys, whilst his eyes followed Rosemary as she stepped through the glass door on to the sun-bathed veranda. And as Rosemary felt the sun, the clear, luscious air, the scent of flowers and of distant pines, envelop her as in a warm mantle, there came wafted to her ears the soft strains of that exquisite Hungarian love-song: "There is but one beautiful girl in all the world." The piano now seemed to sing under Peter's delicate touch, and Rosemary paused and stood quite, quite still, letting the music sink into her, yielding to its voluptuous cadence, and allowing her thoughts, her desires, her longings, to soar upwards to that infinity to which music alone can convey the soul on its magic wings.
[CHAPTER XX]
Rosemary had wandered beyond the confines of the park, and roamed about in the woods, having lost all sense of time. When presently she came back to the reality of things she looked at her watch and saw that it was close on twelve o'clock. Luncheon at the château was at half-past. It meant stepping out briskly so as to be in time.
As soon as she reached the flower-garden, it struck her as strange that the château suddenly appeared to be so quiet. No sound reached her as she came near to the veranda steps, either of shrill, excited voices, or of laughter or song.
She found the family assembled on the veranda—Maurus, Elza, Philip and Anna. Only Peter was not there. A first glance at them all revealed to Rosemary what had occurred. Elza had told them what the gipsy had said. Maurus sat in his chair like a man in a trance, his dark face flushed, his hair towzeled, his large, dark eyes staring out before him, with a look in them that was not entirely sane.
Philip, on the other hand, was pacing up and down the veranda floor, whilst Anna stood quite still, leaning against a column, looking for all the world like a little martyr tied to the stake, her small, thin hands clasped together, a faint flush on her cheeks. These two children looked excited rather than horror-filled. Anna's face suggested that of an idealist—not altogether resigned, but nevertheless eager to suffer for the cause. But Philip looked like a lighter, seeking for a chance to hit back, a combatant not yet brought to his knees.
Elza's round, blue eyes just wandered from one to the other of these faces all dear to her.
They were dry eyes, anxious eyes, but there was nothing in them to-day of that tragic despair which had been so heart-breaking to behold the evening before.