She had toiled up the stairs while she was talking, and Rosemary followed close behind her, ready to catch her if she swooned.
"I won't say 'good night' now," Elza said when she neared her bedroom door. "You go to bed, Rosemary darling, and I will come in presently for a little talk when Maurus is asleep."
Rosemary went into her room. She undid her hair and slipped into a dressing-gown. It was no use going to bed; she knew she would not be able to go to sleep. It was just a case of waiting. Of watching, of praying, and commending those two young creatures to God. Watching and praying, with eyes fixed upon the hands of the clock, following in imagination every phase of to-night's adventures. Every detail. At this hour they would be at the mill, all the actors in the drama which poor Elza had invented. Philip and Anna would be there, changing into peasants' clothes, and Jànos the miller would be setting out the mugs and the spirit, which would make the Jew's son and the brother of the Roumanian storekeeper blind to the world. Old Emma would be there too, the miller's wife, the mother of the two boys who were going to risk so much for Philip's sake and Anna's. Emma would be fussing round with cloth and duster. Grumbling and fussing. Knowing nothing of the drama on which the curtain would ring up in the parlour of her cottage, and in which her two sons would be playing leading rôles. Jànos would not have told her. He, the father, had agreed to it all; had even suggested it. But the mother? No! If she knew she would protest. Weep, of course. Weaken the resolution of the two boys who just had to go through with it all.
And now the motor would be drawing up at the mill, and Jànos the miller would ask the company to walk in and have a drink. Even the motor-driver would be persuaded. Just a drop of spirit as it was a long drive all the way to Hódmezö. Time was moving leaden-footed up here in the château. But not so at the mill while Janos was telling funny stories and plying his guests with drink. Leaden-footed! My God! how slowly did those clock hands move! Only half an hour gone by since Elza had switched oil all the lights, and the whole château was plunged in darkness, and every sound was stilled.
So still! Only the ticking of the clock, and at times the click of the scissors of Fate, ready to cut the thread of two young lives—or more, perhaps—if anything went wrong, if the slightest mistake was made, if any one man proved disloyal—or a liar.
Rosemary shuddered although the night was hot. She could not sit still. At times she felt that she could not breathe. She went out upon the balcony and listened. Listened. The air was so still that she felt she must hear presently the whir of the motor when it made a fresh start from the mill half a mile away. Far away on the hillside a fox gave a cry, and from the old thatched barn close by came the melancholy hoot of an owl.
Then the village church clock struck the half-hour. Half-past one. More than an hour since Rosemary, going into the ballroom, had noted that Philip and Anna were no longer there. In one of the homesteads on the outskirts of the village a cock crew. In another two hours dawn would be breaking, and the motor was to be in Hódmezö before sunrise. And suddenly Rosemary heard right through the stillness a crepitation and then a whir. And then the whirring died away very gradually, and stillness reigned once more. Absolute!
"They've started!"
It was Elza's voice close to Rosemary's elbow. Rosemary had not heard her timid knock, and Elza had slipped into the room and now stood by the open window, listening. The voice was quite calm, with just a ring in it of exultation rather than excitement. Rosemary took her hand. It was quite cold. She fondled it and warmed it between her own.
There was a wicker chair on the balcony and some cushions. Rosemary made Elza sit down, and then she piled up the cushions and squatted on them at Elza's feet, fondling her hands and caressing them by laying her young, velvety cheek against them.