"Oh, don't spare me," he said, with a flippant laugh. "You mean that you did not believe until two minutes ago that I was really a spy in the pay of the Roumanian government, and that you did not believe that I had intrigued to have Philip and Anna arrested, stolen your articles for the Times, and bought Kis-Imre over Aunt Elza's head, and turned her and Maurus out of their home. Well, you believe it now, don't you? So that's that. And as I am on my way to meet a friend, you'll excuse me, won't you, if I run away? Is there anything else I can do for you?"

"Yes," she said. "You can look me straight in the eyes and tell me what has brought you down to—to this. Is it money?"

Peter shrugged. "The want of it, I suppose," he replied.

"I have no right to ask, I know. Only—only—we were friends once, Peter," she went on, with a note of pleading in her tone. "You used to tell me all your plans—your ambitions. You used to say that you did not want to—to bind me to a promise until you had made a name for yourself. If you had told me that you were short of money, and that you were actually thinking of taking up this—this sort of work, I could have helped you. I know I could have helped you. I know I should have found the right words to dissuade you. Oh, Peter!" she went on almost wildly, unable to hold her tears longer in check, or to control the tremor in her voice, "it is all so horrible! Can't you see? Can't you see? We were such friends! You used to tell me everything. You were taking up your father's work. Some of your scientific experiments were already attracting attention. And you were a sportsman, too! And your V.C. And now this—this. Oh, it is too horrible—too horrible!"

Her words were carrying her away. The murmur of the water grew louder and louder in her ears, and in the trees the soughing of the wind among the leaves grew almost deafening. She felt herself swaying, and for a few seconds she closed her eyes. But when she put out her hand she felt it resting on Peter's arm. There was the feel of the rough cloth of his tunic. So she opened her eyes and raised them slowly until they met his. Her glance had wandered on the ugly uniform, the livery of this unspeakable shame. Her eyes expressed the contempt which she felt, the loathing which was almost physical. But Peter's glance now was not only dogged, but defiant. In it she read the determination to follow the path of life which he had chosen for himself, and a challenge to her power to drag him away from it. This was no longer the Peter of Kis-Imre, the irresponsible young English athlete, whose thoughts would never soar above the interest in a cricket-match. It was more the Peter of olden times—the tempestuous lover, the wayward creature of caprice, the temperamental enthusiast capable of heroic deeds, and always chafing under the restraint imposed by twentieth century conventions; the Peter whose soul had once been equally great in virtue as it was now steeped in crime, the gallant soldier, the worthy descendant of the Scarlet Pimpernel. It was the Peter of olden times, but his love for her was dead. Dead. If one spark of it had remained alive, if something of her image had remained in his heart, he could never have given himself over to this vile, vile thing. But while she had been battling bravely to banish from her mind all memories of their early love, he had torn her out of his heart, and turned to this ignominious calling to help him to forget.

Rosemary felt giddy and ill; even the sweet woodland air seemed to have turned to poisonous fumes of intrigue and venality. She pushed Peter's arm that supported her roughly away, but she was still swaying; her hat fell from her head, and her glorious hair lay in a tumbled mass of ruddy gold around her face.

"Better sit down on this old stump," Peter remarked drily. "You'll have to lean on me till you get to it."

But Rosemary did not really know what happened just then. She had such a gnawing pain in her heart. She certainly tottered forward a step or two until she reached the tree-stump, and she sank down on it, helped thereto no doubt by Peter's arm. The next thing of which she was conscious was a flood of tears that would not be checked. It welled up to her eyes, and eased that heavy pain in her heart. Great sobs shook her bowed shoulders, and she buried her face in her hands, for she was ashamed of her tears. Ashamed that she cared so much.

And the next thing that struck her consciousness was that Peter sunk down on his knees before her, that he raised her skirt to his lips, and that he murmured: "Good-bye, sweetheart. My Rosemary for remembrance. God bless and keep you. Try and forget." Then he jumped to his feet and was gone. Gone! She called him back with a cry of despair. "Peter!" But he was nowhere to be seen. He must have scrambled up the incline that led to the road. She certainly heard high above her the crackling of dry twigs, but nothing more. Peter had passed out of her life, more completely, more effectually, indeed, than on the day when she became Jasper Tarkington's wife. Peter—her Peter, the friend of her girlhood, the master from whom she had learned her first lesson of love, was dead. The thing that remained was a vague speck, a creation of this venal post-war world. It was as well that he should go out of her life.

"Try to forget!" were the last words she would ever hear him speak.